Moses Pendleton Presents Moses Pendleton(1982)

Daughter of Mobius(ko)

Daughter of Mobius shows the struggles of an independent women living in the early 80s - an era when it was much more difficult for women to be independent. The movie follows a 29-year-old single woman - who at the time was the object of social prejudices - through her daily life, showing the sights of Seoul in the early 80s and the life of the woman, in documentary style.

Marius Petipa, le maître français du ballet russe(fr)

When he arrives in Saint Petersburg, at the age of 29, Marius Petipa is just an obscure dancer who fled western Europe to escape his debts. He is far from imagining that his engagement in the troupe of the Russian Imperial Ballet, then rather mediocre, will reveal him, forty years later, as one of the greatest choreographers in the history of dance. It is within the Bolshoi Kamenny theaters, then Mariinsky, in a still provincial capital where three productions a year are enough to satisfy an undemanding audience, that this native of Marseille will invent a new art of ballet, over the course of sixty of creations, between 1862 (La fille du pharaon) and 1895 (Le lac des cygnes).

The Restless Garden(ru)

Summer 1991. The last days of the Soviet Empire. Dark clouds gathered over Moscow as the Soviet government prepared to turn back the clock of history. While the world focused on the crashing Soviet Empire, this film focuses on the people who would've been among the first to suffer repression - the women and men who have broken sexual taboos in a consummate act of liberation against a rigid, crippled world. This is a view from their vantage point, unveiling the shadow-side of Soviet culture in the wake of the revolution, where the real provocative nudity is the nakedness of the soul.

Amy Muller(xx)

Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels.

You Don't Need Feet to Dance(en)

In the film "You Don't Need Feet to Dance," African immigrant Sidiki Conde, having lost the use of his legs to polio at fourteen, balances his career as a performing artist with the almost insurmountable obstacles of life in New York City, from his fifth-floor walk up apartment in the East village, down the stairs with his hands and navigating in his wheelchair through Manhattan onto buses and into the subway. Sidiki struggles to cope with his disability and to earn a decent living, but he still manages to teach workshops for disabled kids, busk on the street, rehearse with his musical group, bicycle with his hands, and prepare for a baby naming ceremony, where he plays djembe drums, sings, and dances on his hands.

Danseuses cambodgiennes du roi Norodom, II(fr)

HOTEL ARMADA - A Portrait of Dance(en)

Hotel Armada is a curated portrait of dance and expression showcasing talents in the world of contemporary, vogue, and ballet. It is an integration of time, space, movement and sounds highlighting each performer's rawness in their power and beauty.

Danse Serpentine (In a Lion's Cage)(fr)

Madame Ondine performs a serpentine dance surrounded by big cats.

Italienischer Bauerntanz(de)

Two children, Ploetz and Larella, perform an Italian peasant dance.

The Pickaninny Dance from the “Passing Show”(en)

“A scene representing Southern plantation life before the war. A jig and a breakdown by three colored boys.”

Crissie Sheridan(en)

A woman in a white gown performs a skirt dance, using her arms to produce circles and other patterns within the folds of her costume. Her legs and feet appear to be bare. (Library of Congress)

Ballet Libella(xx)

A woman wearing dragonfly wings performs a romantic dreamlike dance.

Charity Ball(en)

A Victorian couple dancing.

The Lion Dance(ja)

The lion dance in traditional Japanese theatre.

Our Stories, Ourselves(pt)

Sixty-six adolescents, residents of Favela da Maré, were selected to participate in a dance show led by the choreographer Ivaldo Bertazzo, which incorporated their own daily experiences. Ten years later, directors David Meyer and Helena Soldberg search for some of the participants of this experience.

BACKSTAGE: TXT x EN-(ko)

A look behind the scenes with ‘TOMORROW x TOGETHER’ & ‘ENHYPEN’, two HYBE artists, as they prepare for their first joint performance.

Bullfight(en)

Anna Sokolow’s choreographed reinterpretation of a bullfight. Sokolow plays the matador, an audience member, and the doomed animal.

A Nymph of the Waves(en)

A woman in ballet slippers wearing a large white hat and a long white dress - with ruffles, puffy sleeves and petticoats - dances across water with roiling waves behind her. She holds the edges of the skirt with her hands, lifting and twirling, sometimes exposing her bloomers and a dark garter on one leg. Her style combines ballet with the exuberant kicks and twirls of a burlesque dance hall. With churning waves behind her, the water seems to wash beneath her feet. The film of the dancer, "M'lle. Cathrina Bartho" (1899), is superimposed on that of the water, "Upper Rapids, from Bridge" (1896).

Die Serpentintänzerin(de)

A young woman dancer with large, flowing robes, swirls round herself quickly, making her light robe flow around her like a butterfly's wings.

Cavalcade of Dance(en)

Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.