A young woman dancer with large, flowing robes, swirls round herself quickly, making her light robe flow around her like a butterfly's wings.
The dancer
A young woman dancer with large, flowing robes, swirls round herself quickly, making her light robe flow around her like a butterfly's wings.
1895-11-01
4.3
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
The Dolphin Bar is a Malayalam drama film directed by Diphan, starring Suresh Gopi and Anoop Menon in the lead role, which is produced by Arun M C and written by Anoop Menon
Lonnie Holley, a "self-taught African American artist" and dimensional traveler, attempts to sneak off the slave ship America.
In the Age of the Inquisitions, 1603, Santo, El Enmascarado de Plata, is being laid to rest by a group of monks. The Black Hood, an axe-wielder and a tormented soul who sold his soul to the devil after losing his love to El Santo, appears at the foot of his tomb and swears to seek his revenge no matter how many centuries it takes. El Santo is the chosen one and is sworn to fight for good and justice at any cost. After he finds his love, Alicia, dead at the hands of the Black Hood, El Santo must trust his faith and use his strength in this battle of good vs. evil.
A young writer traumatized by the death of his wife and kid, describes his disturbing experiences to a psychiatrist. A mysterious man, hidden under an umbrella, forces him to finish his book regardless the cost of its consequences.
When Diego rescues Armando from a gang one night it appears that their destinies are intertwined. But is it fate, or are there more sinister forces at work?
The iconic voice and noble philosophies proffered by Harry Dean Stanton punctuate this authentic look at life on the edge of wilderness. Follow the cowboys of Montana’s Fishtail Basin Ranch as they survive another calving season.
A shy teen wants to ask out a girl on a date - but how can he know what she'd like to do, or what kind of activity would be best suited for getting to know her?
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
A late period home movie with Man Ray and his lovely friend Juliet Browner lounging together in the US. Man Ray had returned to America when the Germans occupied France.
An insight into the life of the world's most famous male dancer, Rudolf Nureyev.
The film features exclusive footage of the dancers from the series "The Next Step", as they prepared for their first-ever tour in Canada. Also includes live performances and exclusive interviews with cast members.
Phnom Penh-based dancer Prumsodm Ok—a Cambodian-American and pioneer of the first Cambodian gay dance company Prumsodun Ok & NATYARASA—demonstrates the meticulous form of Khmer dance. This short draws a parallel between the nature of film as a time machine and the dancing human body as both fundamentally dynamic and temporal. Within the frame beckons a prayer for healing and empowerment in the face of violence and conflict.
Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.
On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.
Women getting onto a rickshaw.
A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.
Young people dive into the sea by jumping off a manmade wooden raft, while a small boat loaded with passengers passes by.
A military horseback riding event from 1897.
Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Anna Sokolow’s choreographed reinterpretation of a bullfight. Sokolow plays the matador, an audience member, and the doomed animal.