
"Keeping the authenticity by intactness" Even if the price is to let it fall apart? Through it's poetic experimental form, this found-footage film analyses questions of religion, as a warm shelter or a cold, distant courtship, and tradition, which becomes an excuse for laziness and lack of passion.
0.0Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.
0.0STRATA INCOGNITA, is a trans-scalar and trans-temporal journey across the geographies that articulate soil as an agro-industrial infrastructure, but also as an ecosystem and a somatic archive of crimes, memories and myths.
5.2Rob Grant and Mike Kovac receive a disturbing fan video inspired by their previous horror movie Mon Ami, motivating them to investigate the responsibility of filmmakers in portraying violence in movies. In their pursuit of the truth they are unwittingly introduced to the real world of violent criminals and their victims.
10.0An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
5.6One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.
0.0"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
4.1In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?
6.7A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
3.9Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.
3.5The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.
3.6Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.
3.3A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
3.3A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
0.0A set of 500*500 pixel boxes analyzes a group of image data produced on a train—a train running between Korea and Kazakhstan. Mostly, the detection process appears to be random. However, despite the incoherency, the boxes can generate an output, a story that can make sense.
4.5A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
By reversing the image of the burning and destruction of Chinese-Indonesian homes and cultures in the May 1998 tragedy, the filmmaker documents a funeral and cremation she conducted in response to the ethnic hatred that was still being discussed 20 years after the 1998 atrocities. Can memories be erased? What can we choose to forget? What continues to haunt us?
0.0A field full of sheep is observed through the camera, preserving that moment in time forever.
0.0A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.