Hercules Napoleon Cameron, who finds his adventure in books, is searching the waterfront with Alice Winthrop for a friend's father when they are shanghaied and taken aboard "The Finn's" ship, bound for the South Seas. "The Finn" is a brutal captain who reinforces his authority with a caged, ape-like monster. "The Thing" escapes during a storm, destroys the captain and crew, then turns on Alice and Nap. Fearing that their last moment has arrived, they declare their love for each other, and Nap suddenly develops a heroic impulse. He holds off the monster for a time, Alice and Nap swim for shore closely followed by "The Thing," and Nap finally drowns the beast with the aid of a large abalone. A lost film.
Big Mike
Pat Rooney
In this story the hero is haunted by a beautiful young woman who tries to stab him to death with a knife. This fantasy recurs on each of his birthdays, becoming more and more real as the years go on. He leaves home to secure a place as groom, but arrives at his destination too late. Forced to retrace his steps, he seeks shelter in a little inn, forgetting that the hour of his birth is approaching. In the middle of the night he awakens, terrified with fright… Based on Wilkie Collins' novel “The Dream Woman”.
Laurel Oberion thinks she's buying a nice house, but gets more than she bargained for! Haunted by a dead anthropologist and his satanic wife, Laurel's newfound home turns into a bloodbath of sexual desires when pain and pleasure mix indiscriminately. A basement of terror hides the secret... blood flows as human sacrifice leads to resurrection of a Dark God... and only Laurel can stop it before it's too late! Writer's block becomes psychotic madness in METAL NOIR, where blood-spattered sex leads to face-stabbing gore!
British adaptation of Trilby filmed in Kinemacolor. Presumed lost.
In this apparently lost film, a beautiful dancer's sexual allure is used by an evil cripple to entice men to their deaths. Falling in love with one of the potential victims, she is told by the cripple that he will set her free if her lover, actually a murderer himself, survives and escapes a bizarre labyrinthe which runs beneath the cripple's house.
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Danish adaptation of Trilby. Presumed lost, though a single still apparently depicting the novel's climax survives.
A group of young people made a bet, according to the terms of which they had to visit a cemetery at midnight.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
After the success of Pontianak, Balakrishna Narayana Rao (B. N. Rao) directed and released a sequel to his horror film – Dendam Pontianak. It came out in the same year as Pontianak, and Menado reprised her role in this sequel.
Rosalind Joy (Helen Foster) is an heiress who has inherited a South Seas island known as Pleasure Island. A hidden cache of gold is allegedly buried on the island, which has several haunted structures. Rosalind's uncle, Spring Gilbert (Al Ferguson), wants the gold for himself and declares he will stop at nothing, not even the death of his niece, to get it. Rosalind, meanwhile, is befriended by Jerry Fitzjames (Jack Dougherty), a playwright. Unfortunately, Jerry has only recently escaped from a psychiatric hospital. Although he swears to protect Rosalind, she doubts Jerry's sanity. The two lovers race against Uncle Gilbert (who has set several traps for them) to find the treasure. In the end, Rosalind and Jerry are aided by the "Phantom Rider," a spectral horseman.
Old Silas Blackburn, a wealthy recluse, lives alone with his butler and his ward Katherine. One night, Katherine discovers Silas murdered in the room where three generations of Blackburns have mysteriously died. Silas' grandson Robert, whom Katherine loves, comes to visit the next day, suffering from amnesia.
Betsy Thorne (Bennett) travels to investigate a missing man where she overhears a conversation between the sheriff and an imported detective that reporters are barred from the house and grounds where the mystery has taken place. She comes across a maid sent to the house from Richmond, and so frightens her that she gains a chance to act in her place. During the first night at the house she is terrified when she sees a ghostly figure come from the grand organ. The house is roused by her screams as she flees the room, and she is forbidden from going back there by the sister of the missing man. During the following night she is locked in her room during a thunderstorm, and while escaping through a window sees the ghostly figure again in the family graveyard. She makes an investigation which starts from a particular chord played at the grand organ. They find that certain keys cause a secret door in the organ to open, revealing a secret passage to a family tomb.
It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.
When a sculptor falls in love with his model but finds his love unrequited, he plans to kill his love rival with the help of the owner of a Horror Wax museum. The film is considered lost.
A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.
Loose adaptation of Mary Shelley‘s “Frankenstein”.