Love Without Question(1920)

The Golem(de)

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Shin Yotsuya Kaidan(ja)

Yotsuya Kaidan(ja)

Yotsuya Kaidan (Jitsoroku Oiwa)(ja)

Too Many Crooks(en)

A man tries to burgle his own safe on the same night that a professional criminal attempts it.

Something in the Basement(en)

A youth waits for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house, claiming his older brother has in fact died.

Die Tophar-Mumie(de)

A vengeful antique dealer targets a dancer.

C.O.D.(en)

A man assists a woman to dispose of the body of her stepfather....

The Social Leper(en)

A clairvoyant warns divorcée Adrienne Van Couver to beware of Robert Warren, whom she has spurned. The warning comes true after Adrienne's ex-husband, John Dean, meets Warren, an old friend, and tells him the story of his marriage to Adrienne. He tells how her frivolity and malice caused both the death of their only child, and after their divorce John’s romance with Lorraine Barkley who left him for lawyer Henry Armstrong. Enraged by Adrienne's treachery, Warren goes to her apartment and kills her. Dean arrives after Warren has fled and is arrested for the murder. Believing that Dean is innocent, Lorraine persuades Armstrong to defend him. After a last-minute confession by John is cleared.

The Miser's Doom(en)

A miser dies of shock when the ghost of a poor woman appears.

The Brand of Satan(en)

A man discovers that he has two personalities--and one of them is a notorious strangler.

The Shadow of the East(en)

Barry Craven meets former sweetheart Gillian Locke, who is visiting India with her father. Craven's love for Gillian is revived, but he already has a wife, Lolaire, a native. In a jealous rage, Lolaire kills herself, freeing Craven, who returns to England and marries Gillian. His Indian servant, Kunwar Singh, casts a spell on Craven, causing him to leave Gillian and to go into the Algerian desert. There he joins Said, an old university friend who is the son of an Algerian sheik. Gillian follows, the servant is killed, and with him dies the spell, "The Shadow of the East."

The Missing Rembrandt(en)

Holmes goes on the trail of a Rembrandt painting, stolen by a drug-addicted artist.

Come Into My Parlour(en)

A barber who mistakenly believes he has killed a burglar and seeks shelter in the home of a manicurist.

Yotsuya Kaidan(ja)

Earliest japanese horror film.

Yotsuya Kaidan(ja)

Who's Guilty?(en)

Feature version of the 1945 American serial film of the same name, composed for export only, never seen in the USA and now evidently a long-lost film.

The Mark of Cain(en)

After old Trowbridge is mysteriously murdered, his nephew, Kane Langdon, is accused of the crime. Trowbridge's adopted daughter Alice makes every effort to prove Kane's innocence, but to no avail. When Kane escapes from the clutches of the law, Alice works with him to investigate the crime. They soon discover that Judge Hoyt, a great friend of Trowbridge and an ardent admirer of Alice, killed Trowbridge after forging the old man's will to read that Alice would only inherit his fortune if she married the judge. The judge, confronted with the accusation, becomes so unnerved that he confesses to the crime, and all ends happily with Alice in Kane's arms.

Bake Jizo(ja)

One of the two earliest horror films ever made. This film is presumed lost.

Resurrection of a Corpse(ja)

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.