A miser dies of shock when the ghost of a poor woman appears.
A man discovers that he has two personalities--and one of them is a notorious strangler.
Barry Craven meets former sweetheart Gillian Locke, who is visiting India with her father. Craven's love for Gillian is revived, but he already has a wife, Lolaire, a native. In a jealous rage, Lolaire kills herself, freeing Craven, who returns to England and marries Gillian. His Indian servant, Kunwar Singh, casts a spell on Craven, causing him to leave Gillian and to go into the Algerian desert. There he joins Said, an old university friend who is the son of an Algerian sheik. Gillian follows, the servant is killed, and with him dies the spell, "The Shadow of the East."
A youth waits for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house, claiming his older brother has in fact died.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
It is 1595. Brutal wars have just ended in an uneasy peace between Protestant Sweden and Orthodox Russia. We focus on the spiritual defeats of two conquered Finnish brothers, one a hardened near-psychopathic war hero, the other a gentle scientist in an age with no use for such men. They find themselves in the swampy interior, demarcating the new border with a unit of sadistic Russians.
Nobita and friends engage in an all out robot war in this unofficial installment of the Doraemon series.
It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
Kingdom of Crooked Mirrors is a 1964 Soviet fairy tale film directed by Aleksandr Rou based on a story with the same name by Vitali Gubarev. Both the surreal story by Vladimir Gubarev, together with the 1964 film, written in a Through The Looking Glass style. Alice-type Soviet girl, named Olya meets her counterpart Yalo, while looking into the mirror. Yalo is an absolute antipode to Olya, for example where Olya is precise and neat, Yalo is absent-minded, careless, etc. The explicit plot relates to Olya learning to see herself differently, but this occurs through an experience in the Kingdom of Crooked Mirrors which serves as a mechanism for commenting on the ability of a society to manufacture a false reality.
A fairy tale about a conceited young man and a young woman with a tyrannical step-mother, who must overcome magical trials in order to be together.
A silent 3-reel comedy short that uses the 1933 film King Kong as a backdrop to the story. It was produced by Shochiku Studios (who released the original 1933 film in Japan on behalf of RKO). It is now considered to be a lost film.
A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.
Set one evening in present-day Moscow, 16-year-old Pyotr is baited by an ultra-nationalist group known for their violent abductions and attacks bolstered by Russia's LGBT Propaganda Law, but Pyotr has a dangerous secret.
Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.
A doctor kills and embalms a woman in order to preserve her beauty.