In most aspects of her life, Erin Jones is a normal person. She’s 27 years old, she works a retail job and she lives in Chicago with her three roommates. That, and she also has more than two million followers on the popular video-sharing app TikTok. Erin, Verified is an open, honest look at the effect pseudo-fame and parasocial relationships have on people in the age of social media.
Herself
A portrait of the hacking community. In an effort to challenge preconceived notions and media-driven stereotypes Hackers Are People Too lets hackers speak for themselves and introduce their community to the public.
Agnes may not seem like someone with much to laugh about. For one thing, she has albinism - a lack of pigment in the skin, hair and eyes - and her appearance has provoked prejudice from family, friends and strangers since she was born. But despite all odds, Agnes refuses to lead a life of sorrow. This fascinating and inspiring documentary also shares the stories of seven other people's individual experiences of living their lives with albinism in Kenya, a predominantly black society. While each person's story is unique, they all have one thing in common: they know what it is like to stand out uncomfortably from the crowd.
A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. Teaching nursing to local women in a strict Muslim culture that forbids them to even to touch men is a formidable task. However, Grace challenges her own values and belief systems to find common ground with her students, helping them to excel and feel respect for themselves in a culture that doesn't respect them. Whether it is getting her hands painted with henna, swimming fully-clothed in the ocean, or marching bravely with them on International Women's Day, Grace bonds with her students in a very special way, and ultimately discovers how the West can learn a lot more from the Third World than she ever thought.
With an off beat sense of humour, the film looks at the politics and glamour of lipstick and the dilemmas of the modern woman in a marketed world.
This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.
American Aloha: Hula Beyond Hawai’i shows the survival of the hula as a renaissance continues to grow beyond the islands. With the cost of living in Hawai'i estimated at 27 percent higher than the continental United States, large numbers of Hawaiians have left the islands to pursue professional and educational opportunities. Today, with more Native Hawaiians living on the mainland than in the state of Hawai'i, the hula has traveled with them. From the suburbs of Los Angeles to the San Francisco Bay Area, the largest Hawaiian communities have settled in California, and the hula continues to connect communities to their heritage on distant shores.
Dare to Dream was directed by Marianne Jenkins, a film student from Goldsmiths' College, University of London, in 1990. It looks at the history of anarchism in the UK and beyond, as well as the state of the movement in the tumultuous year the poll tax uprising finally led to the resignation of Thatcher. Among the anarchist heavyweights interviewed are Albert Meltzer, Vernon Richards, Vi Subversa, Philip Sansom, Clifford Harper and Nicholas Walter, as well as a host of lesser known but equally committed dissidents. The film also features the miners strike and class struggle, squatting and social centres such as Bradford's 1in12 club, animal rights and feminism.
Crump's mission to raise the value of Black life as the civil lawyer for the families of George Floyd, Breonna Taylor, Black farmers and banking while Black victims, Crump challenges America to come to terms with what it owes his clients.
A short documentary about a female truck driver in the United Kingdom.
Interspersing daily life during the occupation with the fight for rights, the documentary follows the Warao indigenous people and portrays their experiences during a resumption in Betim.
Documentary and reflection about the effects of technology.
Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.
A journey into the interior of garbage, contemplated as a phenomenon of the human spirit, and not only as a product of human action. This essay-documentary, inspired by modern chaos theory, transits between the reality of statements and the surrealism of poetic images, seeking to integrate the conscious and unconscious life of the human mind. Apparently simple phenomena hide very complex behaviors. Maybe garbage is all that we don't want to see
Ante Meridiem is a sensory journey through the first hours of dawn. Kind but vehement, he explores the dichotomy between silence and bustle, patience and haste, taking both to their ultimate consequences.
'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.