Sex, Death & Eyeliner

Top 7 Billed Cast

Clint Catalyst
Clint Catalyst

Self

Elise De Sade
Elise De Sade

Darenzia Elizabeth
Darenzia Elizabeth

Stasia Morineaux
Stasia Morineaux

Deborah Rankin
Deborah Rankin

Bullet Valmont
Bullet Valmont

Voxx, The Psychic
Voxx, The Psychic

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Dare to Dream was directed by Marianne Jenkins, a film student from Goldsmiths' College, University of London, in 1990. It looks at the history of anarchism in the UK and beyond, as well as the state of the movement in the tumultuous year the poll tax uprising finally led to the resignation of Thatcher. Among the anarchist heavyweights interviewed are Albert Meltzer, Vernon Richards, Vi Subversa, Philip Sansom, Clifford Harper and Nicholas Walter, as well as a host of lesser known but equally committed dissidents. The film also features the miners strike and class struggle, squatting and social centres such as Bradford's 1in12 club, animal rights and feminism.

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Thirteen Sector
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The Islamic country of Kazakhstan is one of the most unlikely places for football hooliganism to take root. And yet, believe it or not, the scene there is growing rapidly. Born from Aktobe’s “13 Sector”, these crews mix British hooliganism, European ultras culture, and ancient Kazakh tradition to create a unique, fully-formed underground counterculture. Forest fights, street patrols, fanaticism—a new scene thriving 3000 miles away from where it all began. Away Days got unprecedented access to these hooligans, travelling all the way to Kazakhstan to meet them. We followed the region’s most notorious firm in the lead-up to the biggest derby of the year…

Legacy
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La grande histoire de la Bretagne
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Tom Petty and the Heartbreakers: Runnin' Down a Dream
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Bauhaus: Gotham
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The Godmother
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Marzena Sowa is a quintessential contemporary European: independent, aware of how the world works—or should work—and single. After her mother’s death, she is consumed by longing and sets off for her distant homeland, a Polish village where her beloved aunt Niuszka—an embodiment of joie de vivre and peace with herself—lived her entire life under the heavy weight of patriarchy. The film becomes a collision of social models, resolved with an open ending.

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