Four Years of Night

Łódź Ghetto(en)

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

St. Louis(de)

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

The Venerable W.(en)

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

After the camps, being alive...(fr)

For the first time, survivors talk about life after the camps. How does one return to a life that was interrupted with such violence? How does one reconstruct oneself when all or most of one’s family were butchered? How does one resume studies and earn a living in a society that had cast you out a few years earlier?

The Hell of Auschwitz: Maus by Art Spiegelman(fr)

Art Spiegelman's graphic novel Maus (1980-91) was the first comic to address the Shoah in mainstream culture and is still considered a landmark in art history.

Où sont les noirs ?(fr)

French actors Lucien Jean-Baptiste, Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga, Gary Dourdan and others speak up on the reality of black actors in the French movie industry.

Shadows(he)

The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?

How the Holocaust Began(en)

Historian James Bulgin reveals the origins of the Holocaust in the German invasion of the Soviet Union, exploring the mass murder, collaboration and experimentation that led to the Final Solution.

Waiting for Farajallah(ar)

We are taken behind the scenes of a play in-the-making: The play is Samuel Beckett’s WAITING FOR GODOT—starring a group of young 48-Palestinians. One by one, we are introduced to a variety of characters: the play’s director, actors, and other ordinary people. As we delve further into each of their lives, the film reveals the startling parallels between the themes of the play and their own. Everyone is waiting for something: a permit to build a house, better work conditions, a starring role in a film. Much like Waiting for Godot, our heroes are awaiting Faraj Allah… something that may or may not come.

JANBAL(fa)

From time immemorial, the people of the island used to leave the clothes of their dead to the sea, so that the mother of the sea could turn them into imaginary people. The ignorant Musa finds the gold-embroidered pieces of southern women's trousers among the clothes thrown by the sea on the shore, and with the colorful soils of the island, creates paintings that are his gateway to the fantasy world.

Big Brother: A World Under Surveillance(fr)

Under the pretext of fighting terrorism or crime, the major powers have embarked on a dangerous race for surveillance technologies. Facial recognition cameras, emotion detectors, citizen rating systems, autonomous drones… A security obsession that in some countries is giving rise to a new form of political regime: numerical totalitarianism. Orwell's nightmare.

The Town I Live In(en)

In L.A.’s Boyle Heights neighborhood, local activists and members of the art community clash over the fate of a beloved neighborhood.

Yo soy una niña(es)

This short film brings light to the reality of transsexuality during childhood and aims to emphasize the importance of the role of grandparents.

Undocumented Unafraid(en)

On the brink of social collapse, the city of Los Angeles is full of protests in favor of immigrants and against deportations under the administration of Trump. On the border with Mexico, thousands of people try to cross every day.

Auschwitz: The Hidden Traces(en)

Examines documents and traces of the atrocities that took place at the Auschwitz concentration camp. Years after the end of the war, expert analysis of the remnants of these documents has helped shed light on the stories of prisoners.

Paper Clips(en)

Whitwell, TN is a small, rural community of less than two thousand people nestled in the mountains of Tennessee. Its citizens are almost exclusively white and Christian. In 1998, the children of Whitwell Middle School took on an inspiring project, launched out of their principal's desire to help her students open their eyes to diversity in the world and the horrors and enormity of the holocaust.

Les Derniers Secrets de l'humanité(fr)

This series incorporates the latest animated 3D films to explore recent discoveries about human history, especially in Asia.

Cannabis : Une enquête de Mathieu Kassovitz et Antoine Robin(fr)

Narco Wars: Queenpins(en)

In the drug world, most stories revolve around men. But this one is about women. Some caught in the middle, some in the mix. And one, a true queenpin.

Warsaw: A City Divided(pl)

The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.