
Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.
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What a disappointment to see his body asleep...
0.0John is consumed by guilt after a reckless act that results in the death of his best friend, Isaac. Everyone in the town is wary of him, and Isaac’s younger brother attacks him, goaded on by his friends. It is only through reconciliation with the younger brother, however, that both he and John can process their grief and move on.
0.0Alan’s jealousy drives him to foil his friend’s relationship and wrestle with where his passions really lie.
1.0“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.
7.3During the busy run-up to Christmas, a single-take snapshot of the immense stress and skills of a talented head chef reveals that things are about to burst behind the restaurant's flash façade.
Short news featurette produced by Pathe-RKO after the Russians launched the first orbiting satellite, Sputnik. It is a patriotic 'call to arms' from the threat posed by this and the need for Americans to spend more on education in general and a college education in particular. A visit to the University of Buffalo highlights its science programs and the need for more graduates from all technical disciplines if America is to rise to the challenge. It bemoans the fact the PhDs earn less than a mechanic and the need to re-order priorities.
0.0The film tells the story of two blind men who stand on the side of a road between oil wells and beg, and the conflict between them. The young blind man, who was born blind, sees the old blind man, who later lost his sight, as his rival. Each blind man represents a large crowd in himself.
7.9A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
6.7Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The escort vessel with the harpoon searches for whales. The sailor on the observation mast points to a whale. The whale is hit with the harpoon. The prey is pulled into the main ship with winches, where it is cut up and processed immediately.
The film shows a red fox looking for food in the wild. The fox is stalking across a forest meadow. Then it stops, undecided, to scent and secure its food. On its way, it carefully examines every track...
7.5The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.
7.2Mysteries of the Unseen World transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can't be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception
0.0Struggling against the harsh realities of poverty, a devoted father, Mike reluctantly turns to burglary to provide for his daughter. The narrative unfolds through the varied viewpoints of those touched by his actions.