Pour mes fils, mon silence est impossible(2020)

Lyne Lapointe – L'art et la matière(fr)

Everything about the Quebec visual artist Lyne Lapointe reflects the grip of art on her life. Lesbian and feminist, she tirelessly highlights in her work the challenging position of women in society and in the art world. This concern is the common thread in the story of her life and projects. Despite a serious accident that ended her first series, revolutionary urban creations that earned her international reputation, she reinvents her approach with the tenacity that characterizes her, ultimately becoming the subject of significant exhibitions in Quebec, Canada, and abroad.

Olhares sobre o racismo(pt)

The film marks the 30th anniversary of the SOS Racismo Movement and gives voice to participants in the debate on racial issues in Portugal, bringing together multiple testimonies from racialized, black, gypsy, and migrant communities, as well as contributions from various figures in social and political mobilization, reflecting the intersectionality, diversity, and transversality of the various fronts in the fight against racism. As a tool for debate, mobilization, and awareness-raising in the fight against racism, this documentary aims to contribute to the development of effective political responses to racial discrimination.

Bittersweet(en)

An oral history documentary of people of color at Miami University during its Public Ivy period—from 1970 to the early 2000s.

Flag Wars(en)

Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.

Man on Fire(en)

Grand Saline, Texas, was a sleepy, unremarkable town—until a white preacher lit himself on fire to protest the town's racism in 2014. The subject of this film is deceptively straightforward: A minister commits suicide by setting himself on fire. He leaves behind a letter that frames his decision as a religious response to the intolerable racism of America's past and present, particularly in his Texas hometown. The aftermath is befuddling: There are townspeople who can recall incidents of racial violence and hate speech, and those who have never seen anything of the kind. Black folk in surrounding towns who share rumors and fears about acts of violence, and white folk who say you can't believe everything you hear. Fellow ministers who share the desire to be liberated from a racist past, and churchgoers who believe only mental illness could explain such a suicide.

Robbie Lyle: Football Fans Under Their Skin(en)

A look at the rise of racism in modern football

Killing America(en)

A 38 minute documentary that investigates why antisemitism exploded in Bay Area High Schools after Hamas attacked Israel on October 7. This comes after years of anti-Asian hate and anti-white hate.

Oproerkraaiers(nl)

VOÏVOD: We Are Connected(en)

From unlikely origins in northern Québec at the height of the Cold War, Voïvod’s post-apocalyptic sci-fi aesthetic, fuelled by a youthful obsession with their instruments, took them from underground success to sharing dates and tours with Iron Maiden, Rush, and Metallica. Despite adversity, and perhaps by cosmic intervention or just serendipity, Voïvod found guitarist Daniel “Chewy” Mongrain; subsequently, the band re-ignited their engines and laid a course back to Morgöth via numerous live shows around the world, a comeback album in Target Earth, singles, EPs, and finally, the late-career triumph, The Wake. In 2019, Voïvod were recognized by the Canadian Academy of Recording Arts and Sciences with a Juno Award for best hard rock/metal album of the year for The Wake.

Atik, gardien du territoire(fr)

Fog in February(fr)

On the eve of the publication of a biography of Claude Jutra, one of the most famous and celebrated filmmakers in Quebec and Canada, a leak leaked to the press reveals that the book contains anonymous allegations of pedophile acts committed by the filmmaker. The rumor spread like lightning, suddenly igniting the entirety of Quebec society. By finding today some of the main witnesses propelled overnight into the heart of an unparalleled media tornado, the documentary reconstructs with archive images and other previously unpublished images, the sequence of events which led to a rewriting of the story.

Karihwanoron: Precious Things(en)

Yagorihwanirats, a Mohawk child from Kahnawake Mohawk Territory in Quebec, attends a unique and special school: Karihwanoron. It is a Mohawk immersion program that teaches Mohawk language, culture and philosophy. Yagorihwanirats is so excited to go to school that she never wants to miss a day – even if she is sick.

Oachkatzlschwoaf(en)

Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less happy times. For Nenda Neururer, the word 'oachkatzlschwoaf' invokes a range of emotions. The German word is very hard to pronounce and is synonymous with the Austrian state of Tyrol where locals tease outsiders by asking them to pronounce it. Despite growing up in Tyrol, Nenda Neururer often felt like an outsider when confronted with this word. But when she moved to London she grew nostalgic for it and it became her little secret. Found in Translation is a series made as part of the In The Mix project, in partnership with BBC Studios TalentWorks, Black Creators Matter and the Barbican.

Briser le code(fr)

Too Black to Be French?(fr)

Approximately, because so-called "ethnic" statistics are prohibited, there are an estimated 3.3 million black French citizens. Distant descendants of slaves from the Caribbean or "indigenous" peoples from the French colonial empire in Africa, they constitute a minority that is often discriminated against. Isabelle Boni-Claverie, a mixed-race woman raised in the affluent neighborhoods of Paris, daughter of an Ivorian politician and granddaughter of Alphonse Boni, a Black man who became a magistrate of the French Republic in the 1930s, examines what is blocking the social advancement of Black French people and the full recognition of their citizenship.

We Are Not Our Parents(en)

Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike in 1982. Thirty years later, it's the turn of a new generation to join the fight. Worthy heirs of their parents, the workers revive a forgotten memory and offer a unique perspective on the history of contemporary France. Matteo Severi's film mirrors these two social struggles, led by workers from immigrant backgrounds.

A Propos D'Un Crime(fr)

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

Malartic(fr)

Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.

Who We Are(en)

Autism spectrum disorder (DSA) - It is not what they have, but what they are, who they are. They are Felix, Anthony, Marc and Brigitte. They are different.

Be Water(en)

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.