
The camera hovers above the Mir diamond mine in Sakha, northeastern Siberia, one of Earth's largest kimberlite pipes. This colossal crater spans a continuum of Soviet and Russian resource politics from Stalin to Putin, where technology and ideology inscribe military and economic imperatives into a landscape transformed by radioactive residues and industrial toxicity. Dark earth is excavated and transported, the images governed by extraction processes that sustained the Soviet Union through Sakha's mineral wealth. Out of dense nocturnal fog, debris and dimly lit industrial plants slowly crystallize, apocalyptic scenery alternating with undulating earthworks evoking folds of velvet. The observational camera remains still, registering rather than narrating, while a finely arranged soundscape transmits the ceaseless whirring of machines. Finally, the camera descends into the open pit, its contours dissolving into darkness, like an infinitely slow fall into bottomless depths.
director
DOP

The camera hovers above the Mir diamond mine in Sakha, northeastern Siberia, one of Earth's largest kimberlite pipes. This colossal crater spans a continuum of Soviet and Russian resource politics from Stalin to Putin, where technology and ideology inscribe military and economic imperatives into a landscape transformed by radioactive residues and industrial toxicity. Dark earth is excavated and transported, the images governed by extraction processes that sustained the Soviet Union through Sakha's mineral wealth. Out of dense nocturnal fog, debris and dimly lit industrial plants slowly crystallize, apocalyptic scenery alternating with undulating earthworks evoking folds of velvet. The observational camera remains still, registering rather than narrating, while a finely arranged soundscape transmits the ceaseless whirring of machines. Finally, the camera descends into the open pit, its contours dissolving into darkness, like an infinitely slow fall into bottomless depths.
2020-10-27
0
experimental film
Experimental short, soundtrack of someone coughing and grasping for air, manipulated images of lung scans.
0.0Self Decapitation is a Janus-headed self-portrait by Rouzbeh Rashidi and Maximilian Le Cain in which death and desire each take possession of this film in two parts. The ambiguities of inhabiting a human body are conjured by way of film technology in its faults, faulty memories and false promises. There is no escape from its haunting – except perhaps to haunt it in turn…
5.2A tale of people unfolds under the night sky. These doomed couples and lost individuals begin journeys and attempt to find resolution in their lives. Love is observed from a distance, sadness is in the air. With little sympathy for the loss and destruction caused to the characters, the stories progress and become neatly woven into a minimalistic portrayal of modern life.
8.0Dusk or dawn, stuck in subconsciousness until we can’t separate between the true self and appearances. Is it even possible that we will be free from our own sake?
0.0A one-person psychological thriller created entirely by Matthew Simpson. An ex-military alcoholic begins experiencing unexplained blackouts, and the closer he gets to uncovering why, the more he blacks out, realising they’re being triggered by a trauma his mind is fighting to forget.
0.0Fragments of interesting people and things amongst a handful of D train stops in Queens, New York. Filmed on Super 8 mm.
0.0An aspiring model sinks into lunacy because of her insecurities.
8.0After awakening in her basement, the protagonist finds herself cursed by an object, rendering her unable to blink. Haunted by a sinister silhouette creature that appears from various locations, she realizes her only chance of defeating it lies in mastering the ability to confront the creature without averting her gaze.
8.0X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
10.0A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.
6.6Set over three generations and beginning with a sexually frustrated orderly during WWII who relieves his tensions in the most outlandish, gross ways. The result of his liaison is a glutton who grows up to be a champion speed eater. He produces a child who becomes obsessed with taxidermy.
0.0Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
10.0"Lysreisen" is an experimental art film, a visual ode to tunnel lights. Its ethereal beauty and abstract visuals create a poetic journey, exploring the transformative dance of light with a captivating and artistic touch.
0.0The relationship between the human body and the perception of space in the field of today's use of technology is questioned by showing parts of the ancient Qi Gong dragon form.
0.0Regrettably, the labour of projectionists is usually only considered by the audience when they ‘screw up’. This film offers an alternative opportunity. Preserved by the Academy Film Archive in 2014.
Naturalness willfully corrupted by inevitable self-consciousness, unwittingly corrupted by unavoidable naturalness, a role played with incredible nuance and complexity by Maurine Connor. Preserved by the Academy Film Archive in 2007.