
The third opera in Richard Wagner's epic Ring cycle, Siegfried follows the adventures of the son of demigods Siegmund and Sieglinde as he conquers his enemies and rescues the beauteous Brunnhilde with the help of his magic sword. This video preserves the controversial 1976 Bayreuth Centenary production, with Pierre Boulez leading the Bayreuth Festival Orchestra. Manfred Jung leads the cast as Siegfried, with Gwyneth Jones as Brunnhilde, Donald McIntyre as the Wanderer, and Hermann Becht as Alberich.

Alberich

The third opera in Richard Wagner's epic Ring cycle, Siegfried follows the adventures of the son of demigods Siegmund and Sieglinde as he conquers his enemies and rescues the beauteous Brunnhilde with the help of his magic sword. This video preserves the controversial 1976 Bayreuth Centenary production, with Pierre Boulez leading the Bayreuth Festival Orchestra. Manfred Jung leads the cast as Siegfried, with Gwyneth Jones as Brunnhilde, Donald McIntyre as the Wanderer, and Hermann Becht as Alberich.
1980-08-12
6
6.5Götterdämmerung, the fourth of Richard Wagner's four Ring operas. The cast features Manfred Jung as Siegfried and Gwyneth Jones as Brünnhilde, with music provided by Bayreuther Festspiele Orchester conducted by Pierre Boulez. This title is available in a boxed set with the other Ring operas, Das Rheingold, Die Walküre, and Siegfried.
7.3It follows a young man who dreams of becoming a general and Ying Zheng, whose goal is unification.
5.7A disgraced parole officer is indebted to a local gang leader and forced to pull off a series of dangerous drug heists within twelve hours in order to pay the $2 million dollars he owes, rescue his kidnapped pregnant wife, and settle a score with the city's corrupt police chief, who is working with the gang leader and double-crossed him years ago.
6.0London, 1974. As Britain prepares for electrical blackouts to sweep across the country, trainee nurse Val arrives for her first day at the crumbling East London Royal Infirmary. With most of the patients and staff evacuated to another hospital, Val is forced to work the night shift, finding herself in a dark, near empty building. Within these walls lies a deadly secret, forcing Val to face both her own traumatic past and deepest fears.
5.9Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
6.1On her first assignment aboard Air Force One, a rookie Secret Service agent faces the ultimate test when terrorists hijack the plane, intent on derailing a pivotal energy deal. With the President's life on the line and a global crisis at stake, her bravery and skills are pushed to the limit in a relentless battle that could change the course of history.
6.1Billionaire sportsman Buddy King unwinds by hunting human captives on his remote mountain estate. But his latest victim, Ava Bravo, is no easy target.
6.5The Elric brothers meet their toughest opponent yet — a lone serial killer with a large scar on his forehead.
6.9Introverted Girona student Nacho meets two delinquents from the city's Chinatown and gets caught up in a summer onslaught of burglaries and hold ups that will change his life.
5.5A group of friends seal themselves inside a secluded Cape Cod vacation home after a mysterious orange fog leaks from an old nearby factory. Once trapped, they quickly learn there is no escape.
5.8A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.
7.7In the final Huevos adventure, Toto and his family will have to travel to the South Pole to fulfill their promise to return a polar bear and some Spanish penguins to their home. In order to do so, they will have to overcome some obstacles that will teach them how important teamwork is.
7.2Horrified by the new girlfriends of their respective sons, three sisters-in-law – Clara, a socialite, Matis, a widowed professional, and Nena, a naive housewife – make an alliance to get rid of their undesirable daughters-in-law.
6.1A pioneering family fights back against a gang of vicious outlaws that is terrorizing them on their newly-built farm on the plains of Montana.
6.0Carmen, a brave journalist, discovers soon after her mother's death that she has inherited her grandma's house. She decides to move there without knowing it hides dark secrets.
7.1Groot investigates a spooky noise that’s been haunting the Quadrant, which leads to an intense dance off.
5.9After participating in a séance, young Laura begins to behave strangely. Alarmed, her parents ask Father Olmedo, one of the few exorcists authorized by the Vatican to intervene in cases of demonic possession, for help.
5.8A teenager struggles to keep her scandal-ridden past and a big secret from getting out when she strikes up an unlikely romance with the crown prince.
6.5Chasing speed, dreams and money, a team of drivers get involved in the slush fund investigation of a powerful figure during the 1988 Seoul Olympics.
Eugen Suchoň's opera Svätopluk returns to the stage of the Slovak National Theatre Opera in 2023. Since 1960, when it had its world premiere, this is the fifth production of this musical drama at the Slovak National Theatre. It returns as an eloquent witness of Slovak operatic history, as a bearer of a message, as an impulse for reflection and reassessment of historical attitudes in a broader context.
An anthology of four abbreviated operas: "William Tell" by Rossini, "The Marriage of Figaro" by Mozart, "Don Pasquale" by Donizetti, and "Carmen" by Bizet. Filmed in Italy with major opera stars, and accompanied by English narration.
5.0The production by Deutsche Oper Berlin achieves a beautiful balance between the stage drama and the music. It proves that there are still singers who can perform Verdi's melodies at the highest level and that it is also possible to bring them together into an ensemble. The production fulfills all one's expectations of the modern city of Berlin in terms of stylishness and performance.
7.0The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
0.0This Blu-ray is a splendid record of a creative production with terrific voices and direction, as good as the Met's videos any day. It also tends to be creepy and atmospheric, with music as good as anything Gounod wrote for his FAUST. Recommended to lovers of horror and opera!
10.0This thought-provoking, modern-day interpretation of Rossini's 'Mosè in Egitto' sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro. For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini's music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist(Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh's son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten).
0.0Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.
8.0Gaetano Donizetti and his librettist Felice Romani kept the focus of their opera ANNA BOLENA on the personal rather than the political in this fictionalized Tudor tale: Henry VIII of England wants to get rid of his second wife, Anne Boleyn, so that he can marry her lady-in-waiting, Jane Seymour. He brings Lord Richard Percy, Anne's first love, back from exile so that he can find an excuse to accuse her of adultery. With the unwitting aid of Smeaton, a court musician, and Lord Rochefort, Anne's brother, the trap is easily sprung. This 2011 live recording from the Wiener Staatsoper showcases Anna Netrebko as she "scored a personal triumph" in her debut as the hapless Tudor Queen, while her stage partners - notably Elīna Garanča as Jane Seymour and Ildebrando D'Arcangelo as Henry VIII - were likewise showered with critical acclaim.
8.0Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.
3.3"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.
0.0The dark world of Tchaikovsky’s penultimate operatic masterpiece Queen of Spades hinges on obsession, greed, and a secret in winning at cards… In 2005, the Opéra Bastille mounted a compelling production featuring Vladimir Galouzine as the mad lover Hermann, Hasmik Papian as the doomed Lisa, and Irina Bogatcheva as the mysterious Comtesse.
0.0Benjamin Britten's 1973 opera, performed in 2008 at the Liceu Opera in Barcelona, Spain.
4.223-year-old Gioachino Rossini completed his masterpiece IL BARBIERE DI SIVIGLIA incredibly quickly – legend has it in just 13 days – which Rossini attributed to ‘facility and lots of instinct’. The opera, characterized by youthful energy and bold wit, has all the ingredients for comic chaos: an imprisoned young woman, her lecherous guardian and a young noble suitor. Skilfully plotting behind the scenes is Figaro, an irrepressible and inventive character in whom many have seen a resemblance to the young Rossini himself. The score fizzes with musical brilliance, from Figaro’s famous entrance aria to the frenzy of the Act I finale. This recording sees Joyce DiDonato (Rosina) bring literal meaning to the old theatrical motto Break a leg! She did just that in an earlier show but was determined to finish her commitment and was re-staged into the production to allow for the additional challenges that come when a leading lady in a lively physical role must wheel around the other performers...
10.0A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
0.0In “a Wagner staging to treasure” (The Sunday Telegraph), the 2011 Glyndebourne Festival brings to life the legendary German composer’s Die Meistersinger von Nürnberg. Staged by David McVicar, the production features an all-star cast of leads supported by the London Philharmonic Orchestra under the direction of Vladimir Jurowski.
5.5Dr. Hohner, theatre physician at the Vienna Royal Theatre, murders his mistress, the star soprano when his jealousy drives him to the point of mad obsession. Ten years later, another young singer reminds Hohner of the late diva and his old mania kicks in. Hohner wants to prevent her from singing for anyone but him, even if it means silencing her forever.
6.5This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.
0.0Wolfgang Sawallisch conducts Hans Werner Henze's opera "Der Prinz von Homburg".
5.8The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.