Zwischenmusik

Top 1 Billed Cast

Wolfgang Sawallisch
Wolfgang Sawallisch

Self - Conductor

Loading Trailer Videos...
  • HomePage

  • Overview

    Wolfgang Sawallisch conducts Hans Werner Henze's opera "Der Prinz von Homburg".

  • Release Date

    1995-01-01

  • Average

    0

  • Rating:

    0.0 starts
  • Tagline

  • Genres

  • Languages:

    Deutsch
  • Keywords

Similar Movies

FRANCHISE: The IMAX Experience
0%

FRANCHISE: The IMAX Experience(en)

2020-09-24

Following his work with Christopher Nolan on the IMAX release of Tenet and his featured song “The Plan,” Travis Scott and IMAX have teamed up to deliver fans a new way to experience his music. Optimized for IMAX theatres, fans will experience “Franchise” with powerful precision sound and the highest quality crystal-clear imagery on the biggest screens. Only IMAX’s unique theatre geometry will immerse audiences into Travis Scott’s vision with an audio-visual experience unlike any other. Witness “Franchise” first, only in IMAX.

Il Barbiere di Siviglia
0%

Il Barbiere di Siviglia(it)

2005-01-19

The Ring of the Nibelung: The tetralogy in one single evening with actors and marionettes
0%

The Ring of the Nibelung: The tetralogy in one single evening with actors and marionettes(en)

2013-08-22

Staged by the Salzburger Marionettentheater. Wagner's great epic condensed into two hours — compact, humorous and very exciting! Marionettes encounter actors and take us into a time tunnel of mythological entanglements.

Black Cat
0%

Black Cat(ja)

1972-01-01

A short film by Keiichi Tanaami featuring the song "Fushiawase to Iu Na no Neko" by Maki Asakawa.

Bulimia: The Musical
80%

Bulimia: The Musical(en)

2014-05-01

BULIMIA: THE MUSICAL follows a young girl's journey from first vomit to last breath, in fifteen minutes of laugh-out-loud, puke-your-guts-out song and dance, all wrapped up with a positive message.

Devil Sea
60%

Devil Sea(en)

1931-02-28

Be Like Me
70%

Be Like Me(en)

1931-10-24

Ethel runs a run down saloon in Nicaragua. Word arrives that the soldiers are pulling out, and most of the American miners and all of the women must ship out on a vessel bound for San Francisco, but her boyfriend has been ordered to remain.

Old Man Blues
50%

Old Man Blues(en)

1931-03-19

A woman sundered from her sweetheart sings the title song as a duet with a personified Old Man Blues, in fog-shrouded woodland.

Roaming
50%

Roaming(en)

1931-11-28

A medicine show singer finds her love.

Ireno
60%

Ireno(en)

1932-06-30

Singer Irene is in Reno for a divorce, though her friend Bob tries to convince her it's all a mistake. Then husband Cliff shows up.

The Lighthouse
0%

The Lighthouse(en)

2021-07-07

A Scottish lighthouse goes dark. A visiting supply ship finds the building in order. But the keepers have vanished without trace.

Carnival Show
0%

Carnival Show(en)

1938-01-01

Using the backdrop and excitement of a local carnival, this soundie short features four different and unique acts, from the fast talking carnival barker (Clyde Hager) and the singing of Jon Peerce to the great jazz music of the Cotton Club Tramp Band and a tap dance routine performed by Three DeLovelies.

Money Man
90%

Money Man(en)

2016-10-22

Short film that accompanies A$AP Mob & Skepta's collaboration "Put That On My Set." The short film is a surrealist take on drug gangs, finding Rocky trafficking psychedelic butterfly wings as part of an organized crime ring. They run a tight moneymaking operation, and "Put That On My Set" showcases the importance of the rappers' crews in the illegal business.

Rusalka
80%

Rusalka(cs)

1978-09-29

Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).

The Sun's Gonna Shine
66%

The Sun's Gonna Shine(en)

1969-01-02

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

Così fan tutte
69%

Così fan tutte(it)

2013-06-21

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

The Marriage of Figaro
100%

The Marriage of Figaro(it)

1993-12-01

This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.

Puccini: Manon Lescaut
0%

Puccini: Manon Lescaut(it)

1980-03-29

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

Her Mother's Daughters
42%

Her Mother's Daughters(en)

2010-05-21

An older woman sits before a telephone in an empty house. Her daughters have flown the nest. As she prepares to phone them, their memory is brought back to life

La Traviata
50%

La Traviata(en)

2001-03-04

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]