Il Trovatore - Verdi(1978)

Mozart Symphonies Vol. I - Nos. 29,34,35,40,41 and Minuet K.409(en)

There are only a couple of DVD recordings of Mozart's Symphony No. 40. Fortunately, this one by Karl Bohm, recorded live in Vienna's Musikvereinssaal, is excellent, as are the other Mozart symphonies on this DVD. Since this disc offers three of the big six last symphonies of Mozart, Nos. 35 (Haffner), 40, and 41 (Jupiter), plus two more, it is an outstanding value. Despite the age of the recordings (1973-74), both the sound and the video are quite good.

Dune(hu)

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Grade(pt)

The film follows the daily experiences and dreams of the residents of a specific type of seclusion of freedom in which the convicts assume the maintenance of the space, the control of their own activities and their security. With a multifaceted approach, it proposes a reflection on the creative potential of incarcerated people, the documentary genre itself and its truth.

The L.O.L.A. Affair(en)

Tino is going on his first date with Lola. His friends, doubting his chances, devise a plan to ensure the outing's success.

Alcool au féminin, elles brisent le tabou(fr)

Not Found - Forbidden Videos Removed from the Net - Best Selection by Staff Part 6(ja)

From this popular series that counts 37 works, the 6th compilation of episodes carefully selected by the staff.

Michael Jackson: Live in Brunei Royal Concert 1996(en)

Prior to the HISTory World Tour, Jackson performed a free concert at the Jerudong Park Amphitheatre in Bandar Seri Begawan, Brunei on 16 July 1996, attended by 60,000 throughout the park. The concert was in celebration of the fiftieth birthday of Hassanal Bolkiah, the Sultan of Brunei and was attended by the Brunei royal family. Much of the concert resembled Jackson's Dangerous World Tour, including his outfit, stage, and the setlist, keeping the details of the upcoming HIStory Tour a close secret. This concert was not part of the Dangerous World Tour nor the History World Tour. The concert also marked the debut live performance of "You Are Not Alone" and "Earth Song" as well as the last performances of "Jam", "Human Nature", "I Just Can't Stop Loving You" and "She's Out of My Life" at a Jackson concert. This concert was also among the last performances of "Billie Jean" and "Beat It" being sung fully live; most subsequent performances have been partially lip-synched.

Rosalinda 2020(pt)

Kolobok(ru)

A collection of cartoons, each of which is a uniquely decorated folk tale.

The Rise of Sir Longbottom(en)

Pocketman, Cargoboy and all your favorite agents are back to face a dangerous new threat. When Sir Longbottom comes up with a plan for world domination it will take everything just to have a chance of stopping him.

Holiday(fr)

During a family reunion in 2000, guests decide to read out laud their "Where I See Myself in 10 Years" wish lists which they wrote down during their 1990 family reunion.

Not Found - Forbidden Videos Removed from the Net - Best Selection by Staff Part 5(ja)

Spooky Scary horror 5

Confidence(en)

The animals on Oswald the Rabbit's farm couldn't be happier with their work. The hens, in particular, enjoy their jobs as egg producers. True, a hen gets a bit anxious when her egg is too small or when she can't lay anything. But on the whole, times are good. That changes when a specter by the name of Depression rises from the dump and travels the globe spreading fear and panic. The Great Depression has begun and has poisoned the entire country, including Oswald's farm. Now, the roosters are listless and the chickens flop around in a daze. Oswald runs to the doctor for help. But Dr. Pill points to a poster of the President, Franklin Delano Roosevelt. "There's your doctor!" he declares. Soon, Oswald is in the White House, knocking down the Vice President in his haste to see FDR. Roosevelt sings "Confidence" and gives the rabbit a generous supply.

Adventure in Marienstadt(pl)

While visiting Warsaw, Hanka falls for a record-breaking bricklayer. She returns to the city to work at construction sites and prove that women can work as hard as men

Nós(pt)

Taylor Swift, la première puissance américaine(fr)

The Legacy(fr)

When considering taking a few weeks off, Dr. Rainville places an ad to find a replacement who would agree to take his place in Normétal, in Abitibi. Jeanne Dion from Montreal accepts the offer and goes to the site, where it comes into contact with old customers and the lonely doctor. The problems of the inhabitants of the small community are varied, but Jeanne adapts well to her new environment. When Dr. Rainville was struck by a heart attack, he must still be replaced some time. She could even take his place permanently...

Rewind 3: The Final Chapter(en)

An unfortunate highschooler finds an ancient book that summons Allentown's deadliest maniacs back from the dead.

The Locusts(en)

Delilah Potts has always had her choice of men to work her ranch and fill her bed. But from the moment Clay Hewitt, a handsome drifter with a mysterious past, arrives at her door, Delilah knows that her life will never be the same. And when he spurns her affections, she unleashes a torrent of forbidden passions and deadly secrets that will prove to Clay that the only thing darker and more dangerous than the past he's escaping... is the one he's about to discover.

The Flying Dutchman: Teatro Real Madrid(de)

Spectacular! Opera in three acts. Filmed at a series of outstanding performances at the Teatro Real de Madrid in December 2016, this recording will especially delight lovers of Wagnerian music drama with its faithful reflection of the grandiose staging of Alex Olle, a member of La Fura dels Baus, whose earlier productions have attracted widespread attention. A conductor equally at home in Monteverdi, Boulez, Praetorius and Schumann, Pablo Heras-Casado can rely on a cast totally committed to this breathtaking musical hurricane!

Simon, King of the Witches(en)

Simon is a modern day warlock. Though he lives in a storm drain and sometimes talks to trees, he's deadly serious about his witchcraft. After being picked up for vagrancy, Simon spends a night in jail with Turk, a young hustler with connections to powerful people such as Hercules, an aging hipster who hires Simon to work one of his groovy parties. There he meets Linda, the DA's pill-popping daughter. In between romanic dalliances and colorful sex magic ceremonies, Simon must contend with those who dare to challenge his magical prowess causing him to summon the dark world for his revenge.

Intolerance(uk)

In 1890, in one of the villages of Ukrainian Polissia, a man died under mysterious circumstances. The locals blamed his wife, a young healer, and banished her from the village. When affliction came to the village, people believed they had been cursed by the castaway woman. They discovered she was living in the forest, found her and burned her alive as a witch. But before doing it, they sent a priest to have a final conversation with her.

Gluck: Iphigénie en Tauride(fr)

In order to fulfil the oracle’s prediction, Iphigénie must kill any stranger landing on the shores of Tauride. Alas, it is Oreste, Iphigénie’s own brother, who appears, having murdered their mother Clytemnestra in order to avenge the death of their father Agamemnon: such is the accursed lineage of the Atrides, condemned for generations to inflict death after death… Will this chain of hereditary bloodletting be perpetuated by Iphigénie? In Krzysztof Warlikowski’s stunning first production for the Paris Opera, the characters in the twilight of their existence are still haunted by their past.

Francesconi: Trompe-la-Mort(fr)

An impressive masked figure, Trompe‑la‑mort reveals his true character through his impalpable latent energy and a plot abounding in tragic twists of fate. An ambivalent character, both regal in bearing and warmly protective, cruel and yet loving, rapacious and indomitable even in the face of madness, this ’Machiavelli among miscreants’ destined to become chief of police, uses his conquests to advance relentlessly in the pursuit of his aims whilst keeping his hand closely hidden. Guy Cassiers, working for the first time with the Paris Opera, portrays a three-tiered society where some rise and others fall.

Rimsky-Korsakov: The Snow Maiden(ru)

Snegurochka was born in times of old in Tsar Berendey’s mythical kingdom, the fruit of the union between Spring the Beauty and Grandfather Frost. Protected by her parents from the jealousy of the Sun god Yarilo who has vowed to warm her heart when she gets older and falls in love, Snegurochka the snow maiden is entrusted to the wood sprite…Aida Garifullina sings the role of Snegurochka whilst the production and musical direction have been left in the capable hands of two other Russian artists: the young conductor Mikhail Tatarnikov and director Dmitri Tcherniakov.

Berg: Wozzeck(de)

Separated and fragmented, the scenes combine in a series of tableaux to tell the story of Wozzeck, an ordinary soldier whose only solace is the love of his companion Marie. However, the latter’s fidelity is not unfailing and Wozzeck is haunted by torment. His officers and comrades in arms do little to improve the situation. The omnipresent tension in this profoundly romantic work unifies the fifteen scenes with their complex tonalities alternating between Verist notes and the force of ritualised actions. Christoph Marthaler’s production provides an atmosphere of contemporaneity strongly accentuated by the choice of a single set, where the men’s despair is submerged in Berg’s dearly sought-after sobriety.

Tchaikovsky: Eugene Onegin(ru)

Inspired by Pushkin's masterpiece of Russian literature, Tchaikovsky’s opera provides a sublime portrait – both ironic and sympathetic – of a character embittered by society life, rejecting love out of vanity, killing his friend the poet Lenski out of pride and spending the rest of his days in abject despair. A repertoire classic, Willy Decker’s streamlined production makes the Paris Opera echo once more to the strains of Russian romantic music. Edward Gardner conducts an exceptional cast including Peter Mattei in the title role and Anna Netrebko as Tatiana.

From the House of the Dead(cs)

Condensing the life stories – memories of prison in Silesia – related by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing. Contagious savagery, cruelty and brutality are exacerbated by the confines of the prison. However, within its concrete walls emerge both tenderness and cruelty at the sight of an injured bird; a multitude of stories and highly personal monologues. With this production, first performed at the Wiener Festwochen in 2007, the Paris Opera pays tribute to Patrice Chéreau.

Puccini: La Bohème(it)

No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.

Handel: Jephtha(en)

When Jephthah, a biblical parable adapted from the Book of Judges, begins, the people of Israel are under the yoke of neighbouring nations which pillage and oppress them. Jephthah, destined to become their saviour, has grown up in the desert until becoming a powerful military leader. On leaving for battle, he swears to the god Jehovah that he will sacrifice the first person he meets on his way home. Alas, as he returns victorious, it is Iphis, his only daughter, who comes to meet him… Claus Guth directs this oratorio in which grief‑stricken voices interweave as they confront an apocalyptic situation.

Benvenuto Cellini(en)

The Florentine sculptor and silversmith Benvenuto Cellini rapidly attained a degree of renown that went beyond the confines of Italy. Invariably embroiled in conspiracies, intrigues and quarrels, Cellini is commissioned by the Pope to cast a large sculpture of Perseus. He is loved by Teresa, but she is promised to Fieramosca, an academic artist who has not been favoured with a papal commission. Terry Gilliam’s exuberant production draws the protagonists into a delirious and joyful yet claustrophobic and megalomaniac world: a flaring up of contagious madness.

Mussorgsky: Boris Godunov(ru)

There are elements of Macbeth in this political fable, in which the ghost of the child that Boris has had killed in order to seize the throne appears as an impostor. Adapting Pushkin's epic poem, Mussorgsky composed a meditation on the solitude of power, a populist drama in which the real protagonist is the Russian people with its burden of eternal suffering. Ivo Van Hove is no stranger to grand political frescos. This is his first production for the Paris Opera.

Donizetti: Don Pasquale(it)

First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.

Donizetti: Lucia di Lammermoor(it)

Every morning at dawn, in the Lammermuir hills in Southern Scotland, the beautiful Lucia meets Edgardo of Ravenswood, a mysterious young man with whom she is in love. However, just as in Shakespeare’s Romeo and Juliet, the lovers are the progeny of two feuding families and do not have the right to love each other. Lucia, a magnificent flower shattered by the violence of a society of men, is embodied by South Africa’s Pretty Yende, a rising star of the opera stage, in this production by Andrei Serban, conducted by Riccardo Frizza.

Jarrell: Bérénice(fr)

Titus and Berenice love each other; under the watchful eye of Antiochus, the hopeless lover, they try yet refuse to understand each other. Taking up the “majestic sadness” of these alexandrines, among the greatest verses in the French language, Michael Jarrell amplifies the power of words, making them a vehicle for spaces and identities that, from Rome to Jerusalem, are unceasingly questioned.

Massenet: Werther(fr)

Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel – but not forget her. Benoît Jacquot’s production of Massenet’s tragic opera explores the conflict between duty and our most passionate desires.

Giuseppe Verdi: Simon Boccanegra(it)

This evocative production by Giancarlo Del Monaco sumptuously captures the look and feel of 14th century Genoa and is a perfect compliment to Verdi’s setting of this story of searing conflict between public duty and private grief. Plácido Domingo is Gabriele Adorno, sworn enemy of the doge of Genoa, Simon Boccanegra (Vladimir Chernov). Gabriele is in love with the beautiful Amelia (Kiri Te Kanawa at her most affecting) who turns out to be none other than the long-lost daughter the doge. James Levine’s authoritative conducting of the Met orchestra and chorus reveals the dark power of Verdi’s score. Performed January 26th, 1995.

Verdi: Don Carlo(it)

Elizabeth of Valois is promised in marriage to Don Carlos of Spain, as part of a peace treaty between the two kingdoms. They meet and fall in love – but no sooner have they declared their love than news comes that the terms of the treaty have changed: Elizabeth is to marry Carlos’s father Philip instead. Politics and religion are dangerously entwined in Giuseppe Verdi’s Don Carlo. Performed on November 30th, 2016, at the Opéra national du Rhin, Strasbourg.