Movie: Bydlo

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Max Ernst: Journey into the Subconscious(en)

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The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

Guisado on Sunset
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Guisado on Sunset(en)

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The Noise of Time
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The Noise of Time(es)

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A Common Sequence
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A Common Sequence(en)

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In continuo
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In continuo(it)

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"In continuo" uses slaughterhouse imagery to present the warlike nature of man, first depicting the cleaning and mechanical preparations for the slaughterhouse and then the killing, however, the animal slaughter itself isn’t shown.

60 Seconds of Solitude in Year Zero
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60 Seconds of Solitude in Year Zero(en)

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Tierra en Trance
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Tierra en Trance(en)

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These are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence. Here our point of view sparkles under the spell and trance of things gathered, fallen, yielding, pluvial, Mesoamerican wind, goddess breath, breeze of sticks. percussive woods. Here the audiovisual diagram that guides us, the kinetic breath that inspires us, the serpentine spear that snatches us away, the agitated plumes that trembles at us are the sound and rumbble of Teponaztli, a Mesoamerican percussive instrument: serpentine, dancing, bouncing sticks, trunks, branches and wood. Kinetic and audiovisual serialism from the embers of the Earth. This is the Earth in a Trance.

The Psychedelic Experience
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The Psychedelic Experience(en)

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Miami In Movements
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Miami In Movements(en)

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An Uncountable Number of Threads
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An Uncountable Number of Threads(en)

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Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Entangled as Species
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Entangled as Species(en)

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Hauntology of the Retrodromomania
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The Mind We Live In
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The Mind We Live In(en)

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One Minute Reharsal
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One Minute Reharsal(pt)

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Deshilando Luz
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Deshilando Luz(es)

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A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Rummaging for Pasts
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Rummaging for Pasts(en)

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Adrift
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Adrift(no)

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Between Tides
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Between Tides(en)

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December Hide-and-Go-Seek
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December Hide-and-Go-Seek(ja)

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"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito