Guisado on Sunset
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We Exist Triply(en)
A sock puppet explores a family history told from the perspective of a mother and father.
A Grand Day Out(en)
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Sarajevo Film Festival(en)
Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.
The Magical Beacon Stone(en)
When an evil genius steals the Magical Beacon Stone and forces the children of Inverclyde to toil in his factories, Bella and Jenny only have five days to find the Stone stop his schemes and save Christmas.
A Lama from Ulaanbaatar(mn)
A twelve year old boy, living in a "yurt" but in love with hip hop and computer games is caught between modernity and tradition, aspirations and poverty and decides to become a Buddhist monk.
Working Women(pl)
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.
Variations on How to Farm a City(pt)
Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.
Le Plan(en)
In an isolated mansion, a creature receives orders to carry out a sinister plan that will change the face of the world. Meanwhile, a desperate father is in search for his missing daughter.
Flora(es)
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Lesser Choices(en)
The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.
Princesses Do as They Please(fr)
A poetic and nightmarish dive into the deranged mind of a psychotic little girl. Nina is 9 years old but isn’t like other little girls. Nina has two secrets, she has freed Tony the Monster who lives in the magical cave and she has just killed her parents.
The Inauguration of the Pleasure Dome(en)
Lord Shiva wakes. A convocation of magicians in the guise of figures from mythology; a masquerade party at which Pan is the prize. The wine of Hecate is poured: Pan's cup is poisoned by Shiva. Kali blesses the assembly as a bacchic rite ensues.
The Rabbit Hunters(en)
A deceased filmmaker experiences a posthumous dream in which he attempts to reunite with his wife. (Homage to Italian film director Federico Fellini in the year of the centennial celebration of his birth.)
