The times are fueled by anxiety, and our tweets will not say the opposite. A feeling of the end of the world hangs over our economic model. The frustration, for those who feel it, seems inevitable. The question of meaning has never been so acute. It’s time to talk about it, and who knows, to find answers.
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The times are fueled by anxiety, and our tweets will not say the opposite. A feeling of the end of the world hangs over our economic model. The frustration, for those who feel it, seems inevitable. The question of meaning has never been so acute. It’s time to talk about it, and who knows, to find answers.
2019-09-20
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Musings on life and literature in this student drama made by the Cambridge Film Unit.
This documentary explores the growing American interest in the 1970s in Eastern religions and philosophy. The teachings and lifestyles of ten spiritual teachers and their followers are presented without voice-over narration.
Twenty-five films from twenty-five European countries by twenty-five European directors.
An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.
Almost one hundred years ago, the project to reduce the world to mathematical physics failed suddenly and completely: “One of the best-kept secrets of science,” physicist Nick Herbert writes, “is that physicists have lost their grip on reality.” The world, we are now told, emerges spontaneously, out of “nothing,” and constitutes a “multiverse,” where “anything that can happen will happen, and it will happen an infinite number of times.” Legendary reclusive genius Wolfgang Smith demonstrates on shockingly obvious grounds the dead end at which physics has arrived, and how we can “return, at last, to the real world.” The End of Quantum Reality introduces this extraordinary man to a contemporary audience which has, perhaps, never encountered a true philos-sophia, one as intimately at ease with the rigors of quantum physics as with the greatest schools of human wisdom.
After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.
In Dr. Wayne Dyer's public television special, taped live in front of a thousand fans in Boston's historic theater district, he transforms conventional thinking about making things happen in our lives into a profound understanding of how each person possesses the infinite potential and power to co-create the life he or she desires. To accomplish this, Dr. Dyer takes the audience through a journey into the seven faces of intention - 1: creativity, 2: kindness; 3: love, 4: beauty, 5: expansiveness, 6: abundance, and 7: receptivity. Throughout the program, Dr. Dyer illustrates his points with signature stories that move the audience to tears--as well as abundant laughter.
People are forever using excuses and defending those excuses as if they were actually true. Such statements as 'It would be very difficult for me to change', or 'I'm too old/young to change' are all excuses used regularly without challenging the truth of these thinking habits. When you eliminate excuses that explain your shortcomings or failures, you'll awaken to your infinite possibilities.
What starts as a high school vlog turns into a sour beef between bros.
A video essay where the author presumes motivations and insights in a fictionalized biography regarding Debra Paget, a contract player for 20th-Century Fox whom they groomed and coached for stardom.
The heavily compressed time and space where all survival images from my memory live in. After journey, what will remain could be something we cannot talk to, but perceive.
Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.
In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.