During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.
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During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.
2021-04-10
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"A memória é uma ilha de edição"
Feeling lost, a holidayer takes a vacation, only to discover a world that is as banal as it is hyper-real. A found-footage essay film. A home-movie. A music video. An experimental documentary about the fantasy of air travel. Taking a tour of the global centres of accumulation - New York, Dubai, Burning Man - Twilight documents the unreal, the mundane and the spectre of ecological collapse.
The bizarre story of Elliot "White Lightning" Scott, who plans on becoming Canada's first action hero with his low-budget karate epic, Blood Fight. This surreal documentary captures two years in the lives of a passionate amateur filmmaker, his supportive partner Linda Lum, and their cast and crew of outrageous dreamers - all striving to achieve success.
Two gay men in Japan discuss the end of their respective relationships.
"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973
Aspiring directors Lev Zaretski (a sadist) and Ruslan Romanov (an anime MC) will show you how to properly write a screenplay; cast actors; do a film shoot; and answer questions from annoying film festival attendees.
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.
Directed by Richie Mehta, executive produced by Ridley Scott and powered by Google, India in a Day is a new form of non-fiction filmmaking that uses footage shot by millions of people in India on one single day to assemble a lyrical portrait of modern India.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
This is an in depth look at the world's greatest meal.
During the COVID-19 pandemic, two college students set out to make a revolutionary television show. The pilot episode was uncovered and presented alongside exclusive interviews with the cast and crew.
Citizens living in the city of Amos, Quebec, Canada and its surroundings are preparing for the worst. They have to act fast and make some quick decisions.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.
Documentary-drama recounting the Martian War of 1913–1917. Europe was on tenterhooks in the 2nd decade of the 20th century, everyone was expecting a Great War between the major European powers. But then, in 1913, something crashed into the forests of SW Germany. Troops were sent to investigate but were wiped out. Martian fighting machines began making their way across Western Europe and the countries of Europe combined forces to resist them. With aspects taken from ‘The War of the Worlds’ by H.G. Wells and from WWI itself, this dramatisation presents a documentary style look at events as they unfolded and the effect they had of our world today. Lots of references to real events including the mass attacks and defeats as men were thrown against machines on the Western front, the Christmas truce and the Angel of Mons, America's isolationism and late entry into the conflict, the worldwide Spanish flu epidemic that killed more people than the war, and many other things.
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
In the vein of "The Office" or "Man Bites Dog". "Split's" mockumentary style sees a film crew follow two Hitmen throughout two days of their lives, as they go through a list of targets and a day to day routine. This is "The Office" meets "The Sopranos", this is S.P.L.I.T.
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.