Luminous Void: Docudrama

Vincenz Priessnitz(cs)

20,000 Days on Earth(en)

A semi-fictionalized documentary about a day in the life of Australian musician Nick Cave's persona.

The Legend of Boggy Creek(en)

A documentary-style drama based on true accounts of the Fouke Monster in Arkansas.

Joanne & Jacob(nl)

A short, poetic documentary of an old woman and the loneliness that surrounds her after her husband was sent to a nursing home.

Tongpan(th)

Tongpan is a 1977 Thai 16 mm black-and-white docudrama that re-creates a seminar that took place in Northeast Thailand in 1975 to discuss the proposed Pa-Mong Dam on the Mekong. Interwoven are sequences depicting a poor farmer, Tongpan, who had lost his land to another dam some years before, and his struggles to make ends meet.

SUMMER(en)

Over the space of a summer, Liam filmed, edited, and released a single shot every day. The outcome? A documentary that blurs the line between fiction and non-fiction.

Onyx: Kings of the Grail(en)

Egypt, 11th century. When a famine ravages the country, the prosperous Andalusian kingdom of Denia comes to the aid of the sultan, who, in gratitude, gives Denia the most sought-after and coveted object in all of Christendom.

A Secret in the Box(es)

The life and works of Ecuadorian writer Marcelo Chiriboga, a key figure of the Latin American literature and member of the “boom” generation. Through interviews, visits to different cities, archival footage and his most important book, a puzzle is woven that blurs the boundaries between reality and fiction.

Inverosímil Jardiel Poncela(es)

The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.

Eu me lembro...(pt)

What the #$*! Do We (K)now!?(en)

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

Lost at Sea: The Search for Longitude(en)

It was one of humankind's most epic quests - a technical problem so complex that it challenged the best minds of its time, a problem so important that the nation that solved it would rule the economy of the world. The problem was navigation by sea—how to know where you were when you sailed beyond the sight of land - establishing your longitude. While the gentry of the 18th Century looked to the stars for the answer, an English clockmaker, John Harrison, toiled for decades to solve the problem. His elegant solution made him an unlikely hero and remains the basis for the most modern forms of navigation in the world today. This film will be both a celebration of Harrison's invention and an adventure story. An expedition on a period sailing vessel as it sails the open sea will demonstrate the life and death importance of finding your longitude at sea.

Carceller, the Man Who Died Twice(es)

The life story of Vicente Miguel Carceller (1890-1940), a Spanish editor committed to freedom who, through his weekly magazine La Traca, connected with the common people while maintaining a dangerous pulse with the powerful.

First Love, Fatal Love(en)

A docudrama telling the true story of a young woman who learns she has contracted the AIDS virus after an encounter with a fellow student while in college.

A Little Love(en)

Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.

Begotten(en)

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Hamlet Within(en)

A radical cinematic investigation into the myth of Hamlet, the avenging prince of Denmark, William Shakespeare's creature; his origins and his unending influence on many diverse cultures.

Las locuras de don Quijote(es)

An epic journey through Don Quixote's troubled mind, from which five paths to the unknown are opened: to reason, to freedom, to love, to friendship, to adventure; although only three destinations await at the end of an imaginary and audacious existence: the narrative of the adventurous life of Cervantes; the survival of a legendary novel in these heathen times, when the one-armed gentleman is nothing but dust and bones; the memory of the living, writers and scholars, where both the tormented captive and the insane hero, are immortals beings and will be forever.

Afloat(en)

'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.

Emergency: The Living Theatre(en)

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)