The Phantom Liberty

Forbidden City: The Great Within(en)

Amidst the grand walls of the Forbidden City, the film takes us on a deep journey through the ceremonial life of the Chinese emperor, unveiling the secrets and intrigues of concubines, eunuchs, and palace maids. As the West begins to influence China in the late 19th century, the dynamics within the city shift dramatically. The film highlights the preservation and restoration of invaluable treasures and paintings, culminating in the creation of the Palace Museum. With insights from renowned China scholar, Jonathan Spence, this is an intimate exploration of the rich cultural and historical tapestry that makes up the heart of ancient China.

Paradise(en)

Michael Almereyda’s Paradise is a poignant and surprising sketchbook, a collection of brief episodes captured during a decade of travel. The film is marked by a sense of mystery, wonderment, and sly humor, reflecting a notion of life as a series of elusive, paradisiacal moments that are routinely taken for granted — and always slipping away.

CATCH ME ON THE ICE(en)

Ava Caputo, a freshman at Toronto Metropolitan University, left her home in Alberta to embark on her university journey as a female hockey athlete.

Red Desert Nights: Making Ghosts of Mars(en)

Documentary about the making of John Carpenter's sci-fi horror movie, Ghosts of Mars.

Atlantis(fr)

Atlantis is filmmaker Luc Besson's celebration of the beauty and wonder of the world beneath the sea, expanding upon themes touched on in his film The Big Blue. Combining stunning underwater cinematography and a hypnotic score by Eric Serra, Besson's singular vision defies dialogue or narrative structure to explore ocean life as you've never seen it before.

Not Just a Statistic: Stories of Survivors(en)

The story of the South Shore Resource and Advocacy Center, five survivors of domestic violence, and their experience in the Massachusetts justice system.

Antarctica from Above(en)

At the bottom of the world is a place of wild isolation. Antarctica. Its vastness and extremes defy description. From volcanoes to glaciers... and peaks that scrape the sky, its geography is like nothing else in the world. Its wildlife embraces harsh, alien landscapes. And the people that make their home there for part of the year survive amidst unbelievable conditions, thanks to some of the most creative problem-solving on the planet. Filmed principally in the Sub-Antarctic and Ross Sea region as a series of vignettes - each based around one astonishing location after another - viewers will explore one of the most remote, and least-visited parts of the continent; less than 500 tourists make the journey to this region each year. Few places on earth capture the imagination like the great white continent. Now see it as it’s never been viewed before.

Postmodernism: The Substance of Style(en)

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

Schizophrenia: The Voices in My Head(en)

A documentary tracking the daily lives, struggles and triumphs of some young Irish people living with schizophrenia. They speak openly about what it's like to live with such a severe mental health disorder and struggle with delusional thoughts and the internal voices that are so associated with schizophrenia.

The Meerkats(en)

A coming of age story following a young meerkat pup, Kolo, growing up in the Kalahari desert; and an inspiring look at how one family's connection to each other and their surroundings is a model of resilience and fortitude for us all. Shot using ground-breaking techniques, this dramatised documentary is a one-of-a-kind presentation from The Weinstein Company and the BBC, featuring narration by Paul Newman.

M-1 Grand Prix 2021 Another story(ja)

maɬni—towards the ocean, towards the shore(en)

An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.

How to Be a Candid Woman(en)

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.

The Happy Face Killer: Mind of a Monster(en)

Detective Rick Buckner has to prove Keith Jesperson is the serial killer known as Happy Face Killer, guilty of murdering a woman in 1995, and has to make sure he is apprehended before he kills again.

Among the igloo dwellers(en)

Expeditions in the Western Canadian Arctic

Dawn of hope(am)

Film about the Ethiopian famine of I984/85 and the measures taken to combat it

Aconteceu, virou Manchete! A História da Rede Manchete(pt)

Du 5éme des Arts de Shiraz(en)

The creation of Iannis Xenakis’ « Persephassa » at the Shiraz-Persepolis Art Festival. There are only a few archives left of this piece, for its ring-like disposition around the audience made it difficult for people to record it or take pictures of it. When it was created in Persepolis, each percussionist was settled on the stump of a column of the Palace of Darius. The distance between them could go as far as 164 feet (50 metres).

¿Por qué la gallina cruzó el camino?(es)

A hen questions the meaning of her life on a farm.

Las Preguntas que Perdimos(es)