In his first comedy special the Flemish comedian Pieter Verelst tells a bizarre story about his childhood, which he spent with his brother (existing or not) in a boring village in Flanders. Together they tackle this dullness and use it as a source of inspiration for a strange creativity.
The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.
Award-winning artist Wim Helsen proves in his fifth theater performance that he not only has deep, absurd thoughts, but is also a good listener.
Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.
Registration of the theater program of the same name by the Dutch musical theater duo (Thomas) Acda and (Paul) de Munnik. The program was an anthology from their previous three programs.
The Dutch comedian Hans Teeuwen gradually loses his sense of reality when he has to stay inside because of the "intellegent lockdown" during the COVID-19 pandemic. He recorded a corona comedy special at his home.
Registration of the second theatre program by the Dutch comedian Paulien Cornelisse.
The debut of this Dutch comedy duo. They won the Dutch Cameretten festival which a short (early) version of this show.
Registration of the theatre program by the Dutch musical comedy duo Het Monica Da Silva Trio (Tim Kamps and Arjen Lubach).
Registration of the third solo program by the Dutch comedian Brigitte Kaandorp.
Registration of the fifth theatre program by the Dutch comedian Brigitte Kaandorp.
Registration of the theatre program by the Dutch comedian Brigitte Kaandorp.
Registration of the "musical-pastiche theatre program" by the Dutch comedian Brigitte Kaandorp. She accompanied by an ensemble and several musicians.
Registration of the second theatre program by the Dutch comedy duo Droog Brood (Bas Hoeflaak and Peter van de Witte). The show is a sum of apparently separate scenes that show the human struggle and the desire for affection. Misunderstandings and clumsiness determine our interactions with each other, while meanwhile there is always the consciousness that love will bring us the deepest happiness. But affection is always present. The characters in this show fail, but ultimately they find an answer in the simplicity of the moment.