The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.
The final case for American healthcare to be free and accessible to all—through a single-payer system. Using an all-star lineup of heavy-hitters in the healthcare movement, Healing US walks through all key points of the arguments in favor of a universal, single-payer healthcare system.
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
An exploration of the interconnected experiences of queerness and illness, this film navigates personal and collective journeys through medical spaces, sexual violence, and survival, displays the profound impact on body and identity.
Shot over three years, Pariah Dog paints a kaleidoscopic picture of the city of Kolkata, seen through the prism of four outsiders and the dogs they love. These men and women have found meaning and purpose in their shared mission to care for neglected street dogs, who have existed in the towns and villages of India for thousands of years. For some this mission is enough, for others, dreams of a better life are always near.
A series of interviews with young adults about their fears and frustrations.
Viramundo shows the saga of the northeastern migrants that arrive in São Paulo, beginning with a train arriving and ending with a train leaving São Paulo in a cycle repeated every day. Viramundo's aim was to question why the military coup d'état in Brazil happened without any popular resistance or revolution or reaction of the society.
Prior to the Brazilian 2018 presidential elections, a film crew went down on the streets of Rio de Janeiro in order to listen to people's opinion on candidate Jair Bolsonaro.
What if you got the chance to build a new society from scratch, what would it look like? Located more than 200 km above the polar circle, the Swedish mining town Kiruna is built on the world's largest and most modern iron ore mining tunnel, which created a significant income for the Swedish government. However, due to the mining the city has started to collapse and in order to save the industry, the city council together with the mining company LKAB have decided to move the town and its citizens 3 kilometres to the east. In doing so, the town has turned a potential disaster into a great opportunity. The new Kiruna will be an even more progressive, even better society for the future. But is it even possible to plan an ideal world?
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.
The workers of Safai Karmachari Andolan, led by Roman Magsaysay Award winner activist Bezwada Wilson, are on a mission to eradicate manual scavenging, a practice in which lower-caste men and women manually clear human excrement from gutters, and liberate those forced into this occupation by dint of their birth.
Ben is worried. Overwhelmed by the world's encroaching crises, he travels from Brandenburg to London to Kansas to the Yucatan peninsula and many places in between, to find out how to cope with social and ecological collapse.
The film is a journey around the world where we meet people who are frozen in fear, people who search for them, who find them, who love them. Along the way we meet experts in neuroscience, psychology and politics who show us how society is controlled by messages of fear. The film analyzes the universal question of what fear is and why we are so afraid of it.
Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).
This short documentary illustrates rural French Canadian life in the early 1940s. The film follows Alexis Tremblay and his family through the busy autumn days as they bring in the harvest and help with bread baking and soap making. Winter sees the children revelling in outdoor sports while the women are busy with their weaving, and, with the coming of spring young and old alike repair to the fields once more to plough the earth in preparation for another season of varied crops. One of the first NFB films to be produced, directed, written and shot by women.
In this documentary mosaic of a continued social disintegration, seven filmmakers bring to the screen protagonists and stories that live in an abyss of despair, in the chasm between those who have and those who do not. An old man rummaging for food in bins; a father who cannot give water to his infant daughter because he’s been cut off; an overcrowded ER that cannot cope under the pressure; a man who nearly buys an expensive Lexus and may yet decide to buy a Mercedes; a realtor in a well-fenced villa; and a mother sitting in a small crowded house with a hungry baby in one arm and a canister of gas in the other.
The inhabitants work in inhuman conditions mining metals on the Cerro Rico mountain.