Golek Garwo(2020)

Lighthouse(en)

After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.

Poverty, Inc.(en)

Poverty, Inc. explores the hidden side of doing good. From disaster relief to TOMs Shoes, from adoptions to agricultural subsidies, Poverty, Inc. follows the butterfly effect of our most well-intentioned efforts and pulls back the curtain on the poverty industrial complex - the multi-billion dollar market of NGOs, multilateral agencies, and for-profit aid contractors. Are we catalyzing development or are we propagating a system in which the poor stay poor while the rich get hipper?

Colosseum: Rise and Fall(en)

The greatest amphitheatre ever built by the Romans and a monument to blood and brutality. But what were the origins of the Colosseum and the gruesome spectacles performed within? With unique access to new archaeology, Colosseum: Rise and Fall explores the true purpose of the Colosseum and the network of amphitheatres spread throughout the Roman Empire. Visiting sites across Europe and north Africa, exploring finds that reveal both the scope of the games and the secrets of the gladiators, Colosseum: Rise and Fall charts the expansion of Rome and the ultimate decline of one of history’s most barbaric empires, through the most iconic of Roman landmarks, the Colosseum.

India: Spreading Hate(fr)

Since the rise to power of Hindu nationalists in 2014, India has been gradually moving away from democracy towards a regime where ethnic identity prevails. This transition is driven by Hindutva, a Hindu supremacist ideology embodied by Narendra Modi. For the past 10 years, Prime Minister Modi has relentlessly pursued his fascist policy based on Hindu supremacy. This ideology of hatred towards other religions in the country, particularly Islam, has also spread globally. Those who follow this belief want India to be only for Hindus, treating people of other religions, like Muslims or Sikhs as second-class citizens. Attacks against Christians have surged by 400% since Modi's election, accompanied by discriminatory laws targeting Muslims and widespread lynching incidents. Hindutva's influence permeates all levels of Indian society. This documentary thus unveils a darker side of India, far from its portrayal as the world's largest democracy and Gandhi's dream of peace among communities.

Robot Somnambulism(zh)

In this era, robotic peo- ple making humanized machine, is it a hopeless tragedy, or the beginning of a brave new world?

Des Rives(fr)

An Obese World(fr)

As obesity progresses inexorably, Sylvie Gilman and Thierry de Lestrade investigate the causes of this planetary plague and reveal the fight waged in certain countries to stem it.

7 Days in Syria(en)

In the most dangerous country in the world for journalists, Newsweek Middle East editor, Janine di Giovanni, risks it all to bear witness, ensuring that the world knows about the suffering of the Syrian people.

Africa Light / Gray Zone(en)

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Chaplin et "Les temps modernes", La voie du silence(fr)

In 1936, the sound film had already been around for a decade. Nevertheless, Charlie Chaplin (1889-1977) made another silent film, "Modern Times", which only used sound effects as a dramaturgical device. Speaking is reserved for the apparatus alone. The film became a monument in the history of cinema for this very reason.

The Cost of AI(nl)

Banksy and the Rise of Outlaw Art(en)

Banksy is the world's most infamous street artist, whose political art, criminal stunts and daring invasions have outraged the establishment for over two decades. Featuring rare interviews with Banksy, this is the story of how an outlaw artist led a revolutionary new movement and built a multi-million dollar empire, while his identity remained shrouded in mystery.

Inchiodato(sq)

In northern Albania, ancestral customs still exist, governing the laws of vendetta between families. Sometimes, for generations, an old feud has pitted two clans against each other, condemning them to take turns murdering a member of the opposing family. This blood code, known as the Kanoun, has painful consequences for many Albanians, who are condemned to live in seclusion to avoid being killed.

Tratado de Invisibilidad(es)

A reflection on the concept of invisibility, narrated by women who clean public spaces in Mexico City. Combining documentary, fiction and still photography, the film is an intimate mosaic of testimonies and experiences that highlight the precariousness of work in the cleaning industry, in a world where subcontracting rules.

Die Frauen der Terrormiliz(en)

Nanny, cook or sex slave. For a long time, the mistaken belief that the women in the terrorist organization Islamic State were condemned to blind obedience was held up. But appearances are deceptive. Some of them join the terrorist militia of their own free will. They are fully integrated into the system: they torture with unscrupulous cruelty and actively fight alongside their men. Today, the Caliphate's capitals lie in ruins. Nevertheless, many of the women have stayed and are trying to leave behind memories full of pain and shame. Thomas Dandois gives them a voice.

The Society of the Spectacle(fr)

Guy Debord's analysis of a consumer society.

Forbidden City: The Great Within(en)

Amidst the grand walls of the Forbidden City, the film takes us on a deep journey through the ceremonial life of the Chinese emperor, unveiling the secrets and intrigues of concubines, eunuchs, and palace maids. As the West begins to influence China in the late 19th century, the dynamics within the city shift dramatically. The film highlights the preservation and restoration of invaluable treasures and paintings, culminating in the creation of the Palace Museum. With insights from renowned China scholar, Jonathan Spence, this is an intimate exploration of the rich cultural and historical tapestry that makes up the heart of ancient China.

VHS Revolution(fr)

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

The First Year(en)

The First Year tells the inside story of Jamie Driscoll’s first 12 months as the new North of Tyne Mayor.

India Cabaret(hi)

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.