Fasli is a child born and raised in Kampung Kalo, Lengko Ajang, Manggarai Timur, East Nusa Tenggara. This film is about Fasli and his family; a conversation among the sounds of candlenuts.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
To many African Americans, soul food is sacrament, ritual, and a key expression of cultural identity. But does this traditional cuisine do more harm to health than it soothes the soul?
Clarissa Dickson Wright tracks down Britain's oldest known cookbook, The Forme of Cury. This 700-year-old scroll was written during the reign of King Richard II from recipes created by the king's master chefs. How did this ancient manuscript influence the way people eat today? On her culinary journey through medieval history she reawakens recipes that have lain dormant for centuries and discovers dishes that are still prepared now.
A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
An exclusive and intimate portrait following the first pregnant transgender man, Thomas Beatie and his wife Nancy, into the delivery room as Thomas gives birth to their baby daughter Susan.
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
The Wheels of Wonder follows a team of ambitious social impact creators as they enter Lebanon’s capital, Beirut, with a curious project. Their mission: to trial and test an unusual prototype play cart with the hope of improving the lives of refugee children through “loose parts” play. The project is led by Marcus Veerman, founder and CEO of Playground Ideas, a not-for-profit providing open-source playground building resources which benefit children all over the world. Veerman’s passionate and skilled team includes a Product Designer, Play Specialist and Technical Lead. Despite plenty of planning, the group face numerous challenges whilst constructing and trialling a material-based prototype in a country which is currently home to an estimated 1.5 million Syrian refugees.
A documentary about the psychological costs of working in Alberta's oil sands and the mental health crisis that's been ignored for a decade.
One of the first works by María Cañas, an excessive metadiscursive exercise on the “pig character” of current information and archive culture.
A&E Comprehensive biographies of five of the greatest classic stars of the horror genre. Features lots or archive footage from some the greatest horror films committed to celluloid.
Christian Garcia, a fiercely dedicated Latino political organizer, leads a team of young people mobilizing their community for a soda tax. Tested during their fight for the right to vote, the young recruits dare to beat back the goliath soda industry and ignite a youth-powered movement for health equity and justice.
In this era, robotic peo- ple making humanized machine, is it a hopeless tragedy, or the beginning of a brave new world?
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
An intimate portrait of teenagers trying to understand their world and their possibilities. The film weaves together video shot by teens and by the filmmaker, as they work together to make a film and create expressive outlets for youth in the community. They organize dances and community events and paint a mural. At the same time, with humor and pathos, these young people raise issues around violence, feeling misunderstood by adults and lacking respect in their community. Set in the small town of Sitka, Alaska, home to a large Alaska Native population, the video chronicles their creativity, concerns and dreams.
It follows two teenage rappers in Bangkok who use their musical talent to navigate their difficult circumstances.