SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.
SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.
2020-08-28
10
Bits and blocks are the home of the Super Vario Birds who are dancing to the 8bit symphony of Ludwig van Beethoven.
Brian and Jenny are preparing for the grand opening of their bed and breakfast, Emily's Country Inn, when a big storm hits Buck County. Brian agrees to go back to Wall Street to boost their funds, while Jenny scrambles to keep the opening on track.
Alina returns to Romania from Germany, hoping to bring Voichita—the only person in the world she loves and was loved by—back with her. But Voichita has found God, and God is the hardest lover of all to best.
Seo-jin is a widower still grieving his wife's death. Then he receives the news that his long-lost younger sister, Yoo-jin, who went missing 25 years ago, has turned up. Unlike the rest of his family, who welcome her into their arms, Seo-jin feels that Yoo-jin is a stranger.
Kate Bowman (Jocelin Donahue) is an average social worker who, after the sudden death of her twin sister, is investigating the mysterious deaths of other people who died in their sleep. Shortly before their deaths, the victims all reported a supernatural force that appeared to them while they were suffering from sleep paralysis. When Kate investigates further into the case, she opens herself up to the creature's wrath and soon finds herself and her family suffering from an ancient evil.
The sought-after images of top model Jennifer adorn magazine covers and billboards worldwide. When alone at a club, she is abducted and incarcerated in a cell with another prisoner. When their captor subjects the two to torture, they commit to escaping the chamber of horrors before they're killed.
When two researchers discover a colossal shark's tooth off the Mexican coast their worst fears surface - the most menacing beast to ever rule the waters is still alive and mercilessly feeding on anything that crosses its path. Now they must hunt the fierce killer and destroy it... before there is no one left to stop it
A biological experiment goes bad, this time releasing a gaggle of mutated great white sharks with a taste for human flesh. Soon enough, shark expert Nick West is on the case, leading a crew to study them and eventually bring them back into captivity. West's plans hit a snag, however, when Australian shark hunter Roy Bishop is called in to wipe out the fishy menace.
Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
Had come of age and unemployed, Peter decides to go back to school to take the elementary school. However, his academic performance continues to be poor so much so that his grandmother to play for the votes of a report card to the football pools coupon. The grandmother with the votes of Peter will win, using the amount paid to renew their tavern, without giving any money to his nephew, who will retaliate by closing all his family in the bathrooms of the new restaurant. Eventually Peter was rejected despite the efforts of his teachers, but Peter does not seem to be over: receives, in fact, a visit to Camazzo, her neighbor and Head of the third class of the Navy, which gives him an envelope containing the fateful "call to Arms".
A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.
Generation Iron - examines the professional sport of bodybuilding today and gives the audience front row access to the lives of the top 7 bodybuilders in the sport as they train to compete in the world's most premiere bodybuilding stage - Mr. Olympia.
A British Army doctor comes back from a war, thinking that she has PTSD only to discover that there is a more daunting malevolence at work making the life that she knew unfamiliar.
A high school student suffers from a strange amnesia, causing her memories to only last a week. After she befriends a new student, his kindness and persistence make her gradually open up.
While returning from a military expedition a helicopter crash lands a commando unit in a dense, remote tropical jungle – a lost world populated by dinosaurs. Now they must find a way out of this isolated valley before becoming prey for prehistoric predators.
A mysterious teenager named Ángelo cares for Klaus, a German doctor with a dark past who lives trapped in an iron lung.
A lawyer tries to prove her mother's innocence and uncover the secrets of a small village with the help of the local mayor. Her mother was accused of murder after the rice wine was poisoned at her husband's funeral, but she is suffering from memory loss and cannot defend herself.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
Part one of the two part abstract video art-piece, with music composed by Philip Glass and performed by the Kronos String Quartet.
A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.
Tribute to director, screenwriter and actress Sarah Polley. A whimsical, playful film tells the story of the kinds of stories Polley tells, using humorous, simple line animation, the film comments on the messiness of life and art.
1194D is originally a tweak of 115C8, one of the “Algorithmic Creature” series based on recursive triangle subdivision. The idea and complexity of the work started to go beyond the initial expectation after it was decided to experiment with multiple “creatures” co-existing within the environment.
Melbhattan. Melbhattan is part homage, part pastiche of the opening sequence of Woody Allen's seminal 1979 film Manhattan. Melbhattan features more than sixty black and white tableaux of Melbourne each composed to mimic images in Allen's film.
"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description instructions. Thus he created this short animated film."
"Plasforms" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. It is the exposure of the digital medium itself, a choreography of ghost images mechanically imitating the artificiality of a process.
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
Experimental video art set to the track "Place I Know/Kid Like You" by Arthur Russell.
In this hyper-realistic digitally rendered video, sandwiches are assembled in sequence. Each component, from the first slice of bread to the last, is dropped dramatically from a height, before bouncing and settling into place in slow motion. Mayonnaise, then ham, lettuce, tomato, cucumber, and the final slice on top. This perfect yet uncanny choreography reads like an exaggerated, perverse take on ‘food-porn’ obsessed advertising campaigns. These sequences repeat, the sound gradually incorporates saws and machinery, echos from empty environments, pianos breaking, smashes, crashes and mechanical crescendos like jet engines alongside eerie drones, bells, and hard rummaging noises. Another piece of bread lands, some rubber baby dolls fall onto it, some brown slop, a blanket, denim jeans, some businessmen in suits, and more slop. Ketchup, then a union jack, all encased in the final layer of bread that falls to the top of the pile to the sound of a tolling bell. Infinite continuation, loop.
“The faster you break it the faster we make it,” says the wooden column at one point, going on to acknowledge the bounteous economic logic of this reality with the observation that “production is sealed in gold.”Early on we see the black-and-white striped house Adolf Loos designed for Josephine Baker. It’s a cardboard model, of course; the plans were never realized. The house is an idea, an image, a virtual presence, a possibility, a provocation. Later in the film it reappears, reconfigured in different materials with a different range of qualities and surface finishes. “Why do so many things look the same, and only one of them is good?” asks a female voice. This is not the column’s voice but that of someone who sounds much like Marten herself. It is, in fact, her sister, one Marten speaking another Marten’s words. After all, in order to manufacture glamour, a little plagiarism is essential. And this process—call it borrowing, copying, paying homage, whatever—is both violent and comic.
For Ed Atkins, Marten’s "Evian Disease" embodies ‘flatness’ in all its weightlessness, emotional deficit and hollowness of representation. The fact that it’s completely unapologetic about it is what makes it a dangerous piece to his mind.
Orchids,… centers on an animated video in which Marten sets forth a sanitised and alluring world of free-floating and fragmentary objects. Excised from normal context and imbued with an impossible cosmetic sheen, these crystalline forms are conjured in colours that range from the surreally heightened to the deliberately banal. A line of toy-like objects – a train, a giraffe on wheels, a boat – trundles along on an impossibly turquoise plane. Parasitically followed by a swirling black fly, the unfolding narrative is one of production, consumption and saturation. Elsewhere, the naked human backside of the title (cropped and anonymous) is shown with a luridly-glowing orchid tucked between its buttocks. At points, the imagery takes on the semblance of a painting or diagram, both formulaic ‘analogues’ of reality, like the video itself, implying the knotty weight of a Cézanne still life.
The term hysteresis soberly describes a processual behaviour where the previous history affects the result as much as new changes. Robert Seidel enters analogue drawings, performance footage of the queer dancer Tsuki and pluck sounds and drones by Oval into a feedback system that reorganises time and movement in a multicoloured and sensual organic tableau.