The Statue of Giordano Bruno(2005)

Distant Activities(en)

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio synthesizer.

Commercial Entertainment Product(en)

The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.

Stained Night(xx)

The light and the noise stain the dark night.

Taikonaut(xx)

A creature is born from the cosmos. In his journey through the void he searches for what it means to be human. Marching he soon finds himself chased by the chaos that comes along with finding a safe home-ground.

Goya's Gaze(xx)

A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.

winter, my words immure(ro)

After moving to Bucharest, Sânziana reflects on how this change has affected her perception of herself and her body.

The Geneva Mechanism: A Ghost Movie(en)

The long dead ghosts of celluloid are coming back to haunt the digital space.

Cyclepaths(xx)

An old woman is carrying shopping bags. A child with a gun is riding a scooter. Birds are flying. A city is falling. A party is lit.

The Image Book(fr)

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Angel(en)

Short film of a statue of an angel by an ornamental pond on a summer's day.

Baby Invasion(en)

An ultra-realistic, multiplayer FPS game follows a group of mercenaries using baby faces as avatars. Tasked with entering mansions of the rich and powerful, players must explore every rabbit hole before time runs out.

John Baldessari: Some Stories(en)

Presented without commentary, this film reveals the thinking behind the work of John Baldessari over the course of his career, and provides clues to the understanding of the artist's paintings, photographic work and books.

Between Science and Garbage(en)

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

Isolation(en)

A meditation on isolation through paint textures, video collage and sound

The Enclave(en)

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

3 Minutes with a 12 Piece Band(en)

An exploration of the individual components that make up a jazz improvisation, told in 13 parts.

This is How the Obelisk Was Born(xx)

The construction of the Obelisco in Buenos Aires, Argentina.

cloud 1(xx)

Endless(en)

A meditation on the inevitable deterioration of certain traditional values that have been established (or destroyed) throughout civilization. This elegiac account uses symbolic representation from natural elements in order to convey the inevitability of remembering the social and cultural erosion, and places a layer of texture in front of the elliptical glimpses of imagery, separating the viewer from the past. The re-occurring image of flames remains untouched by the erosion aspects of reticulation, ultimately alluding to nature's powerful quality.

Adagio(en)

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.