Rectangle & Rectangles(1984)

Dick Marshall 2 or The Existential Crisis of Toothpick Dick(en)

Toothpick Dick doesn't know his name.

The Meeting(uk)

An alien decides to find out how much humans actually know about extra-terrestrials. The directorial debut of Mykhailo Titov, a master of chimerical animation of the 80s, is based on the story of the Ukrainian science fiction writer Volodymyr Zayets.

Ghost Town(en)

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

Aérobie(fr)

With a rushing smear, a cyclist begins his race.

VIVAldi VVinter(en)

A deep dive into a snowstorm of structural chaos and a blizzard of exploding gestural animation.

REYNIVELLIR(es)

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.

Tokyo 2001/10/21 22:32~22:41(ja)

A mother and son are eating sushi at a conveyer belt sushi bar in Tokyo. This film depicts their conversation using cutout animation.

Orbit(xx)

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

Street Musique(en)

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

Walls(pl)

An animated short film from 1987 that deals with the incarceration of a man in a dark cell from where there is no escape.

Giant Steps(en)

2-minute animation film to music by John Coltrane.

Wind Along the Coast(ru)

A lyrical and funny story about the hard life of a village on the coast suffering from the high winds.

Spheres(en)

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

ACT III(en)

Abstract video art set to the music of Philip Glass.

Voyage(en)

An NTSC space opera.

The Flood(de)

Two men sit on an island watching the sunset. When a storm gathers, they decide to build a boat. While one man is mindful of the coming danger and urges speed, the other wastes his time on decorative details. Dammbeck’s last film made in the GDR before he left for West Germany is based on a Chinese fable, with music by internationally known jazz musician Günter “Baby” Sommer.

Metamorphoses I(xx)

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

Becoming Air(de)

Breathe deeply: in 3 years, your molecules will circle Earth, as today’s oxygen came from nature.

The Murmur of Nu Shu(xx)

Frammenti di una Festa Furiosa(it)

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.