A series of visual paradoxes between the names of the streets of Madrid and those of the shops located in them.
A series of visual paradoxes between the names of the streets of Madrid and those of the shops located in them.
1965-01-01
0
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
A group of military men uses explosives to de-root trees.
This documentary in the Look At Life series – made by the Rank Organisation for screening in Odeon and Gaumont cinemas – was released in 1967 and anticipated a radical redevelopment of Piccadilly Circus, which never actually happened.
Blissful scenes of tourists arriving by boat and then sea bathing on a beach in the Venetian lagoon.
A new film compiled from the BFI National Archive's unparalleled holdings of early films of China, features films from 1900-48 filmed across China. The cinematic journey of Around China with a Movie Camera contains many films which may never have been seen in China, or at the very least not for over 70 years. These travelogues, newsreels and home movies were made by a diverse group of British and French filmmakers, some professionals, but mainly enthusiastic amateurs, including intrepid tourists, colonial-era expatriates and Christian missionaries.
Travelogue/documentary follows newly married Rita Hayworth and Prince Aly Khan on their honeymoon trip through exotic locales.
Jean Painlevé is interested here, with the help of Eli Lotar, in crabs and shrimps. He is particularly interested in detailing their anatomy and observing their mating and fighting behavior.
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."
Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.
Documentary footage of the author and his two daughters at home.
Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.
A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.
The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
Mentally ill. Deviant. Diseased. And in need of a cure. These were among the terms psychiatrists used to describe gay women and men in the 1950s, 1960s, and early 1970s. And as long as they were “sick”, progress toward equality was impossible. This documentary chronicles the battle waged by a small group of activists who declared war against a formidable institution – and won a crucial victory in the modern movement for LGBTQIA+ equality.
People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.