This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.
This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.
1938-09-10
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This Traveltalk series short begins with a look at Arizona's Painted Desert. We then get two views of the Grand Canyon's majesty. The first is from the rim, looking down from an automobile. The second view is from within the canyon, where mules take tourists along the various trails.
This Traveltalk series short celebrates the beauty of Yosemite National Park. Besides the majestic mountains, we see Bridal Veil Falls and a giant sequoia with a road cut through its trunk. Tourist activities, including horseback riding and fishing, are also highlighted.
Shortly after his mother’s passing, playwright and stage director Mohamed El Khatib receives a phone call from his uncle in Bab Berred, the family’s village in the Moroccan Rif, instructing him to come as soon as possible to collect his inheritance – mysteriously insisting that he should make the trip in a Renault 12. Coaxed by his father, El Khatib decides to make the journey from Orléans to Tangier. Structured like a road movie, Renault 12 is also the filmmaker’s quest to discover his own origins, in which he both documents chance encounters and stages situations to bring social, political, and cultural landscapes to light.
Blissful scenes of tourists arriving by boat and then sea bathing on a beach in the Venetian lagoon.
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
This travelogue begins at Bangkok's rail depot, a center of Indo-Chinese commerce. Next the narrator talks about Buddhism as the camera shows us some of Bangkok's many temples. Then, the narrator introduces us to the importance of traditional dance, with emphasis on the way that delicate wrist movements tell stories. It's on to the system of waterways in Bangkok, where more than 1,000,000 people live or conduct commerce. We take a ride down the Menam River, the country's most important commercial and social road. From our boat, we pass Wat Arun and other colorful signs of life typical in serene Siam.
This Traveltalk series short brings us to Lima, Peru where we see a modern city.
This documentary short features Chile's history, culture, and customs.
This Traveltalk short visits Rocky Mountain National Park and a nearby dude ranch in Colorado.
This short film presents a look at Italy's popular tourist spots.
Attractive travelogue filmed in and around Delhi's Qutb complex.
Gorgeously dreamlike colour images of (then) French India – present-day Puducherry.
This short film takes a look at the sights, sounds, and customs along Italy's Amalfi Coast.
This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.
Expert interviews, dramatic reconstructions and location shooting bring to life the iconic legend of Egyptian Queen Cleopatra in this historical documentary.
A travelogue about India. But it is more than a video about a foreign place. We follow the director's itinerary and witness his chance encounters with people and also public events, some of which continue to shape India's politics today.
The film is a cinematic interpretation of the travel book “Armenia” by Russian poet Andrei Bely.
Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.