It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.
A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.
In this apparently lost film, a beautiful dancer's sexual allure is used by an evil cripple to entice men to their deaths. Falling in love with one of the potential victims, she is told by the cripple that he will set her free if her lover, actually a murderer himself, survives and escapes a bizarre labyrinthe which runs beneath the cripple's house.
When a sculptor falls in love with his model but finds his love unrequited, he plans to kill his love rival with the help of the owner of a Horror Wax museum. The film is considered lost.
A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.
Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.
Old Silas Blackburn, a wealthy recluse, lives alone with his butler and his ward Katherine. One night, Katherine discovers Silas murdered in the room where three generations of Blackburns have mysteriously died. Silas' grandson Robert, whom Katherine loves, comes to visit the next day, suffering from amnesia.
Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.
It is 1595. Brutal wars have just ended in an uneasy peace between Protestant Sweden and Orthodox Russia. We focus on the spiritual defeats of two conquered Finnish brothers, one a hardened near-psychopathic war hero, the other a gentle scientist in an age with no use for such men. They find themselves in the swampy interior, demarcating the new border with a unit of sadistic Russians.
Away from people, animals, forests and fields stood a very tall tree. It did not need anyone, it was completely indifferent to everyone. Once a cat wanted to learn the style of life of the tree, which has allowed her to stay near it, so that she could take over its attitude to everything around. But eventually the cat affects the tree as well...
Rosalind Joy (Helen Foster) is an heiress who has inherited a South Seas island known as Pleasure Island. A hidden cache of gold is allegedly buried on the island, which has several haunted structures. Rosalind's uncle, Spring Gilbert (Al Ferguson), wants the gold for himself and declares he will stop at nothing, not even the death of his niece, to get it. Rosalind, meanwhile, is befriended by Jerry Fitzjames (Jack Dougherty), a playwright. Unfortunately, Jerry has only recently escaped from a psychiatric hospital. Although he swears to protect Rosalind, she doubts Jerry's sanity. The two lovers race against Uncle Gilbert (who has set several traps for them) to find the treasure. In the end, Rosalind and Jerry are aided by the "Phantom Rider," a spectral horseman.
Danish adaptation of Trilby. Presumed lost, though a single still apparently depicting the novel's climax survives.
Kingdom of Crooked Mirrors is a 1964 Soviet fairy tale film directed by Aleksandr Rou based on a story with the same name by Vitali Gubarev. Both the surreal story by Vladimir Gubarev, together with the 1964 film, written in a Through The Looking Glass style. Alice-type Soviet girl, named Olya meets her counterpart Yalo, while looking into the mirror. Yalo is an absolute antipode to Olya, for example where Olya is precise and neat, Yalo is absent-minded, careless, etc. The explicit plot relates to Olya learning to see herself differently, but this occurs through an experience in the Kingdom of Crooked Mirrors which serves as a mechanism for commenting on the ability of a society to manufacture a false reality.
A fairy tale about a conceited young man and a young woman with a tyrannical step-mother, who must overcome magical trials in order to be together.
Wilton, a hunchback, who was always scorned and ridiculed by women, returns from Java a rich man after having discovered a diamond mine. He romances Gina, who is on the rebound from a broken affair, and showers her with expensive gifts. After Gina reconciles with her boyfriend, she continues to see Wilton because of what he gives her. After he discovers her perfidy, Wilton develops a poison and mixes it into her lipstick, which will kill any man who kisses her. Lost film.
Starks returned after the conclusion of, met with his youthful love Tanya, who has a daughter Nelia over the years. Starkova acquaintance with the girl made him a different look at the relationship with Tanya and "ex-boyfriend".
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.