While Paris Sleeps(1923)

Nox Aeternus - Die Nacht der Hexen(de)

A lost extreme splatter film from Liechtenstein about a group of teenagers in the forest who stumble upon a party of witches, who sacrifice children, skins traitors alive and eat their innards. The teens try to escape from the witches, and most end up getting killed in the most indiscriminate manner. The police even get involved but are of no use as they are tortured by the witches. The only surviving teen must take matters into his own hands to stop the evil witches. Having gone insane, he later steals his father's gun, goes on a killing spree and then ends his own life.

Faust(de)

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

Something in the Basement(en)

A youth waits for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house, claiming his older brother has in fact died.

Frankenstein(en)

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

Alraune(hu)

It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.

Sacrifice(de)

Mad scientist, doctor Ten Brinken artificially inseminates a prostitute with a dead man's semen. The resulting child grows up to be a beautiful, evil woman who turns against her creator.

A Daughter Of Destiny(de)

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

The Golem: How He Came Into the World(de)

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

The Hands of Orlac(de)

A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.

Dr. Jekyll and Mr. Hyde(en)

A doctor's research into the roots of evil turns him into a hideous depraved fiend.

Yotsuya Kaidan Oiwâ(ja)

Shin Yotsuya Kaidan(ja)

Irohagana Yotsuya Kaidan(ja)

Horror in Tirschenreuth(de)

Short film by Marran Gosov

The Naked Eye(en)

An erotic horror film about a boy who sleeps naked on a hot summer night and suddenly discovers that he's not alone.

Stares(en)

A motorist is haunted by a wayfarer he has accidentally wronged.

Hands of Purple Distances(sh)

A distressed young woman, possibly on the run is surrounded by nothing but barren landscapes of forests and fields. As she progresses to an indiscernible denouement, the film contorts shape into a circular series of pulsating images that touches on the horror and the metaphysical.

The Golem and the Dancing Girl(de)

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

Bake Jizo(ja)

One of the two earliest horror films ever made. This film is presumed lost.

Resurrection of a Corpse(ja)

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.