One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Coffin Bearer
Coffin Bearer
Dead Man
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
1898-01-02
0
After many years as a vagabond, Ronald comes home to his family who are about to be evicted from their home. He saves their home and, while chasing a runaway pancake, saves a kidnapped girl as well.
The Farmer is abducted by a capering Jungle Goddess. As pre-Code as a Terrytoon ever got. Most animation is by Frank Moser; with him are Art Babbitt, Jerry Shields, Bill Tytla and others.
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
When a local man's corpse appears on a nearby hillside, no one is quite sure what happened to him. Many of the town's residents secretly wonder if they are responsible, including the man's ex-wife, Jennifer, and Capt. Albert Wiles, a retired seaman who was hunting in the woods where the body was found. As the no-nonsense sheriff gets involved and local artist Sam Marlowe offers his help, the community slowly unravels the mystery.
A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.
A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: BACK STAGE (1919), GOOD NIGHT, NURSE! (1918), CONEY ISLAND (1918), THE ROUGH HOUSE (1918), and THE GARAGE (1920). Volume Two of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
A horror film about a pilot who is the sole survivor of the plane crash in the deep unknown. He must survive in an isolated building where something evil is waiting.
Vaudeville artist LaBelle Geraldine and her dancing partner, Freddie Montgomery, are stranded in Arizona when their troupe breaks up. In order to raise money, Geraldine orders Freddie to impersonate masked bandit Black Jim so that she may turn him in and collect the $2,000 reward. When the real Black Jim holds up her coach, Geraldine, believing that he is Freddie, boldly pulls out her gun, whereupon the bandit shoots her in the wrist and takes her to his cabin. Later Freddie, too, is captured, but when members of the gang insult Geraldine, he refuses to protect her. Gradually Black Jim falls in love with her, and she comes to admire him so deeply that instead of seizing a chance to escape one night, she returns to warn him of the gang's plot to kill him.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
A deliciously scary story about a boy who outsmarts an old witch-woman before she can have him and his brothers for dinner.
A runaway train speeds down the track.
After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.
A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.