The Metropolitan Opera HD Live Gounod's Romeo et Juliette(2007)

Donizetti: L'Elisir d'Amore(it)

Rolando Villazon's Baden Baden version of the Donizetti's opera set as an early Hollywood shoot of a western.

Traición por instinto(es)

Alzheimer(hu)

Alzheimer's is a documentary about a disease that affects more and more people. The disease can't be taken lightly. Sadly, Alzheimer's and other dementia affect nearly every family in some way. The most renowned doctors and researchers tell us what they know about the condition so far. The film is also trying to help those who have little or no knowledge of the disease and don't know where to find support. We wanted to show how vulnerable human life can be. Memories, intellect, and personality-all can be lost due to this cruel disease. We don't really understand what happens inside the person or how this disease develops. What we see is the personality disintegrating, and the person becoming 'someone else'. Positive examples are also shown in the film- well-functioning care settings in France and Hungary and loving families caring for their loved ones.

Goodbye, My Big Cat(en)

Harry, a young Chinese man, travels to America in an attempt to reunite with his first lover, Sam, in hopes to relive the love and intimacy they once shared.

Home(en)

A tormented woman believes a rare planetary alignment is actually a cosmic message from her distant interstellar home.

Duoddara árbi(sv)

There's a funeral in Sapmi. The dead is the father of 17-year old John-Andreas. He now remembers what his father told him shortly before his death. Will John-Andreas manage to take over? It's tough to continue, when reindeers keep disappearing.

Aasmaan Bolay Ga(ur)

Army of One(en)

Nineteen-year-old Nelson is a Puerto Rican high school dropout from the South Bronx looking for a ticket out of the ghetto. Thaddeus, 22, gives up a cushy stockbroker job to pursue fantasies of killing Osama Bin Laden. Sara, 22, a dancer from North Carolina fails to make it in New York and leaves her best girlfriend to return home. Swept up in the patriotic fervour that followed 9/11, these young Americans dream of fighting for their country, of being the heroes that star in the slick ad campaigns broadcast by the military. Canadian director Sarah Goodman, living in New York at the time, saw long line-ups at recruitment centres as the country prepared for war. Gaining incredible access to the US army bases, Goodman follows the three new recruits for the next two years, starting with the harshness of basic training. Army of One is a heartbreaking film that exposes what happens to each of them as their dreams of heroism clash with the realities of army life.

Matones a sangre fría(es)

The president of the United States is planning a visit to Mexico, and some local Islamic terrorists are going to be ready for him; they've kidnapped a nuclear scientist and a bomb expert to help them. Their leader (Eleazar Garcia, Jr.) goes head-to-head with the chief of the Mexican Secret Service, who has a secret weapon of his own in a beautiful Russian Special Agent ((Gabriela Del Valle). The fate of North America lies in the hands of this dynamic duo as they race to beat the clock in this harrowing tale featuring three of Mexico's favorite stars.

All That I Have(en)

As a wealthy retired surgeon nears the end of his life, he begins to distribute his wealth to those in need, stating that "all that I have belongs to God." His nephews bring him to court to determine his mental competence in the hopes of stopping him from disposing of all his money.

Without Orders(en)

At Portland, Oregon, playboy pilot Len Kendrick lands at the end of a cross-country record flight, met by his father J.P. Kendrick who owns Amalgamated Air Lines. Len is a media darling, adored by fans for his daring flights. He is in love with Amalgamated stewardess Kay Armstrong who is dating veteran pilot "Wad" Madison. Len dates her sister Penny who learns that his hard-drinking and recklessness has caused the death of his co-pilot. Penny knows that he was drinking before the fateful flight and only escaped prosecution by bribing a bartender. She leaves Len who ends up at Amalgamated as a line pilot, being tutored by Wad.

Jaguars of the Pantanal(fr)

Cottonpickin' Chickenpickers(en)

Darby Clyde Fenster and Jerry Martin are a pair of penniless nincompoop-drifters who hop a freight train on their way to Florida. Our intrepid heroes find themselves facing one comic situation after another in this gloriously loopy Southern fried comedy-with-music.

My Roasted Chicken(pl)

A young married couple and their everyday hardships. Unemployed Wojtek decides to sell grilled chicken from a street stall. His wife Agata is a film student making a documentary on her husband.

Alternative(uk)

An instructive parable that the two principles right and wrong have common roots, and their interaction gives rise to unexpected situations that may strongly influence each other. But what will prevail? Friendship, commitment to certain ideals or individual interests, the benefits and the effort to find one’s place under the sun?

Sweet Taste of Imagination(fa)

An imaginative dreamer university named Garoos professor falls in love with a student who resembles her teacher in this manner. Love story is endangered when a business competitor sets Garoos up for unethical behavior.

Milan(hi)

On the banks of the holy River Ganga, Gopi, a ferryman conducts an unconsummated romance with Radha, a girl from the upper classes.

Camino de Santiago - Eine Reise auf dem Jakobsweg(de)

The Metropolitan Opera: Un Ballo in Maschera(en)

David Alden’s elegant 2012 production moves Verdi’s thrilling drama to a timeless setting inspired by film noir. Marcelo Álvarez is Gustavo III, the Swedish king in love with Amelia (Sondra Radvanovsky), the wife of his best friend and counselor, Count Anckarström (Dmitri Hvorostovsky). When Anckarström joins a conspiracy to murder the king, tragedy ensues. Stephanie Blythe is the fortuneteller Madame Ulrica Arvidsson and Kathleen Kim sings the page Oscar. Met Principal Conductor Fabio Luisi is on the podium.

The Metropolitan Opera: Boris Godunov(en)

Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.

Prince Igor(ru)

Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”

Don Pasquale(it)

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Gounod: Faust(fr)

Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.

Berlioz: La Damnation de Faust(fr)

Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.

Tchaikovsky: Iolanta / Bartók: Bluebeard's Castle(ru)

Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.

Adams: Doctor Atomic(en)

John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.

Tchaikovsky: Eugene Onegin(ru)

The pain of unrequited love is portrayed unforgettably by two of today’s greatest stars. Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages.

Lucia di Lammermoor(it)

This telecast offers a rare opportunity to see the legendary Joan Sutherland in the role that first catapulted her to international stardom. She drove audiences wild by the way her opulent voice caressed the music’s long phrases and sprinted effortlessly through the fiendish runs, trills, embellishments and stratospheric high notes. One of the glories of the operatic world, her portrayal of Donizetti’s hapless heroine is a multifaceted and moving characterization. The incomparable tenor Alfredo Kraus is Edgardo, the man Lucia loves but cannot have. (Performance taped November 13, 1982. Broadcasted September 28, 1983.)

Massenet: Thaïs(fr)

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

The Metropolitan Opera: Cavalleria Rusticana & Pagliacci(it)

Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.

Puccini: Manon Lescaut(it)

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

The Metropolitan Opera: Roméo et Juliette(fr)

Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.

Verdi: Nabucco(it)

The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.

The Metropolitan Opera: Dead Man Walking(en)

American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.

The Metropolitan Opera: The Life and Times of Malcolm X(en)

Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at long last. Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Baritone Will Liverman, who triumphed in the Met premiere of Fire Shut Up in My Bones, is Malcolm, alongside soprano Leah Hawkins as his mother, Louise; mezzo-soprano Raehann Bryce-Davis as his sister Ella; bass-baritone Michael Sumuel as his brother Reginald; and tenor Victor Ryan Robertson as Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.

The Metropolitan Opera: Florencia en el Amazonas(es)

Inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus—and to search for her lost lover, who has vanished into the jungle.

The Metropolitan Opera: Nabucco(it)

The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.

The Metropolitan Opera: Carmen(fr)

Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.