A new generation of rising stars shines in Franco Zeffirelli’s classic production of Puccini’s most popular opera. Vittorio Grigolo is the poor poet Rodolfo who falls head over heels for his neighbor, the seamstress Mimì, sung by the radiant Kristine Opolais. Susanna Phillips is the flirtatious Musetta, Massimo Cavaletti is her sweetheart Marcello, and Patrick Carfizzi as Schaunard and Oren Gradus as Colline complete the ensemble. Stefano Ranzani conducts.
Colline
A new generation of rising stars shines in Franco Zeffirelli’s classic production of Puccini’s most popular opera. Vittorio Grigolo is the poor poet Rodolfo who falls head over heels for his neighbor, the seamstress Mimì, sung by the radiant Kristine Opolais. Susanna Phillips is the flirtatious Musetta, Massimo Cavaletti is her sweetheart Marcello, and Patrick Carfizzi as Schaunard and Oren Gradus as Colline complete the ensemble. Stefano Ranzani conducts.
2014-04-05
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One of opera's most vivid and compelling characters, a vengeful court jester, desperately tries to protect his daughter from disaster in this heart-wrenching tragedy. The first of two world-class casts led by Music Director Nicola Luisotti stars Željko Lučić, "whose vocal artistry is exceptional" (The New York Times); Aleksandra Kurzak, "a superstar in the making" (The Guardian, London); and, as the lecherous Duke, Francesco Demuro, "whose open, bright, superbly focused tone was reminiscent of Pavarotti" (Opera News).
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.
This film traces the life of Jan Kapr, a prominent Czech composer of the 20th century. A documentary opera with an ambitious libretto and playful and refined editing work, Kapr Code is an unexpected celebration of creativity that shakes up our ideas of biography and pays tribute to the importance of resisting homologation and censorship through art and creation.
The pain of unrequited love is portrayed unforgettably by two of today’s greatest stars. Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages.
During the Turkish artistic revolution of the 1930s, a group of pioneers staged Özsoy Opera, the first opera in the history of Turkish Republic.
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.
Valery Gergiev leads the Vienna Philharmonic Orchestra in this production of Puccini's opera, recorded live at the Salzburger Festspiele in 2002. David Pountney's production features performances by Gabriele Schnaut, Paata Burchuladze, Johan Botha and Cristina Gallardo-Domas. This production uses Luciano Berio's 2001 completion of this unfinished opera.
John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.
Le Nozze di Figaro New Production Teatro Real in co-production with Bilbao’s ABAO and Las Palmas Teatro Pérez Galdós. From the opening notes of the overture to the final curtain, Emilio Sagi’s classic, triumphant production brings to life all the elegant wit and theatricality of Mozart’s comic masterpiece Le nozze di Figaro. Leading baritone Ludovic Tézier shines as the lustful Count Almaviva who attempts to obtain the favors of Figaro’s bride-to-be, Susanna (Isabel Rey), while Luca Pisaroni gives a feisty performance as Figaro. Conductor Jesús López Cobos masterfully captures the enchanting score. A witty yet profound tale of love, betrayal, and forgiveness.
A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.
Few singers have plumbed the depths of the role of Violetta as did she incomparable soprano Renata Scotto. Her interpretation surprises with fresh insights at every turn, illuminating aspects of the character that are latent in the libretto and the schore but rarely dramatized with such completeness. For example, when Germont meets Violetta, he is immediately struck by her strong bearing ( Quai modi! , he exclaims in an aside).
Verdi - Un ballo in maschera / Domingo · Barstow · Quivar · Jo · Nucci · Rydl · Chaignaud · Wiener Phil. · Solti · Schlesinger · Salzburg Festival 1900
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
David Alden’s elegant 2012 production moves Verdi’s thrilling drama to a timeless setting inspired by film noir. Marcelo Álvarez is Gustavo III, the Swedish king in love with Amelia (Sondra Radvanovsky), the wife of his best friend and counselor, Count Anckarström (Dmitri Hvorostovsky). When Anckarström joins a conspiracy to murder the king, tragedy ensues. Stephanie Blythe is the fortuneteller Madame Ulrica Arvidsson and Kathleen Kim sings the page Oscar. Met Principal Conductor Fabio Luisi is on the podium.