
Musetta
Alcindoro
Parpignol
6.0Louisa Muller makes her Garsington directing debut and we welcome back Richard Farnes (Falstaff, 2018) to conduct with Sophie Bevan (Don Giovanni, 2012) as the Governess and British tenor Ed Lyon making his Garsington debut as Quint. A young governess is sent to a remote country house to care for two children. She becomes increasingly disturbed by their behaviour but is under strict instruction never to bother their guardian in London. Are they innocent or wicked, possessed or just high-spirited?
0.0With James Levine at the helm, Verdi’s multi-faceted masterpiece is revealed as a drama of almost Shakespearean proportions. Superstar Plácido Domingo takes on he demanding role of Don Alvaro, the outcast whose noble gesture unwittingly sets the wheels of fate in motion and destroys an entire family. Sharon Sweet is Leonora, the woman he loves, and Vladimir Chernov singe her vengeful brother Don Carlo, whose twisted hate is all-consuming. Roberto Scandiuzzi is the benevolent Padre Guardiano.
8.0Luciano Pavarotti brings his spectacular voice and artistry to one of the most famous of all tenor roles—Manrico, the ardent troubadour, trapped in an impossible situation by forces beyond his control. The sensational Dolora Zajick, only days after her Met debut, gives an incandescent performance as the demented gypsy Azucena, thirsting for revenge against Count Di Luna (Sherrill Milnes). Eva Marton is the passionate Leonora, desired by both Manrico and the Count, and James Levine brilliantly leads the Met’s orchestra and chorus in some of Verdi’s best-known music.
0.0James Levine leads a remarkable cast in one of Verdi’s most enduringly popular operas and brings fresh insights to this beloved score. Ileana Cotrubas is poignant and touching as Violetta, the consumptive courtesan who finds true love with Alfredo, sung with style and passion by the great Plácido Domingo. Cornell MacNeil is Germont, Alfredo’s father, who forces the two apart, setting in motion events that lead to a shattering and tragic conclusion. Colin Graham’s production features design by Tanya Moiseiwitsch and choreography by Zachary Solov.
0.0The Met assembled a vocal dream team for Jonathan Miller’s stylish production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn Terfel as Figaro. With James Levine—one of the world’s great conductors of Mozart—in the pit, Bartoli interpolating two rarely heard alternate arias, and Dwayne Croft as the Count and Susanne Mentzer as Cherubino, this is a performance for the record books.
0.0Wagner’s Romantic opera demands singing actors who can truly inhabit their parts, and that’s just what we have here. Is it possible for a Knight of the Holy Grail to look more enticing than Peter Hofmann? No wonder Elsa (Eva Marton) falls in love at first sight. Marton’s heroine is innocent, but she is also a passionate, real-life young woman—which is good, because Leonie Rysanek is positively demented as Ortrud, the sorceress who accuses Elsa and Lohengrin of using magic. With James Levine’s superb conducting, the orchestra and chorus are similarly magical.
0.0A stellar cast brings Puccini’s spellbinding opera to life, seizing every opportunity to thrill the audience. Luciano Pavarotti is Cavaradossi, the painter and political revolutionary in love with the beautiful and famous singer Tosca (the riveting Shirley Verrett). Rome’s diabolical chief of police, Baron Scarpia (Cornell MacNeil), wants Tosca for himself—but he underestimates the fury of a woman in love. With torture, murder, and a suicide in its final moments, Tosca packs more dramatic punches than most other operas—and this classic telecast captures them all. James Conlon conducts in a production by the incomparable Tito Gobbi, one of the great Scarpias of the 20th century.
9.0A notorious femme fatale renowned for her ruthless pursuit of power reveals poignant vulnerability when she comes face to face with her long-lost son int he captivating, elegant production from San Francisco Opera.
8.0This recording of the opera Ariane et Barbe-Bleue by Paul Dukas was staged at the Liceu in Barcelona in 2011, with Claus Guth as director, Stéphane Denève as conductor and José van Dam and Jeanne-Michèle Charbonnet in the leading roles.
0.0A one-off production of Boris Godunov was staged by Andrei Konchalovsky at the Teatro Regio in Torino in 2010, with Orlin Anastassov in the leading role and Gianandrea Noseda conducting the Orchestra del Teatro Regio.
9.0A superb adaptation of Purcell's the Indian Queen, staged and directed by Peter Sellars and performed in 2013 at the Teatro Real in Madrid. Peters Sellars combines John Dryden and Robert Howard's libretto with a short-story written by the Nicaraguan writer Rosario Aguilar, La niña blanca y los pájaros sin pies.
0.0Dalibor is based on events that took place in the 15th century: having led a peasant revolt, the Knight Dalibor of Kozojedy was imprisoned, by order of King Vladislav II of Bohemia, in a tower in Prague Castle that still bears the name “Daliborka” to this day. Legend has it that he learned to play the violin while he was incarcerated, and that the people passing by the tower would be moved on hearing his music.
6.7After he is rejected by the Great Poochini as an opening act, Mysto the Magician gets his revenge by conducting his next operatic performance.
0.0Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...
0.0There are elements of Macbeth in this political fable, in which the ghost of the child that Boris has had killed in order to seize the throne appears as an impostor. Adapting Pushkin's epic poem, Mussorgsky composed a meditation on the solitude of power, a populist drama in which the real protagonist is the Russian people with its burden of eternal suffering. Ivo Van Hove is no stranger to grand political frescos. This is his first production for the Paris Opera.
0.0First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite and varied work, is the apotheosis of opera buffa. Performed for the first time at the Paris Opera, the production has been entrusted to the Italian director, Damiano Michieletto, who transports us directly to the sincerity and dramatic splendour at the heart of an apparently light‑hearted work.
8.0Les Huguenots is a monumental fresco featuring various impossible loves in the context of the Saint Bartholomew Massacre. Andreas Kriegenburg places these timeless conflicts of love and religion in an immaculate setting in which the costumes appear yet more flamboyant and the victims’ blood more violently red.
0.0Elijah Moshinsky’s witty production deftly walks the line between the lighthearted humor and the profound philosophical underpinnings of Strauss and Hofmannsthal’s opera, masterfully conducted here by Met Music Director James Levine. Deborah Voigt stars as Ariadne, the mythical heroine abandoned on the island of Naxos by her lover, and Richard Margison is Bacchus, the young god who eventually takes her away to a new life. The spectacular Natalie Dessay as Zerbinetta leads the troupe of comedians who unsuccessfully try to cheer Ariadne up. Susanne Mentzer is delightful as the young Composer of the opera-within-the-opera, and Wolfgang Brendel sings the Music Master.
0.0John Dexter’s brilliant production of Britten’s searing opera stars Dwayne Croft in the title role of the handsome young sailor whose kindness and innocence cause his downfall. The great James Morris is Claggart, master-at-arms on the 18th-century warship Indomitable, who falsely accuses Billy of inciting a mutiny. Philip Langridge sings Captain Vere, the honest commander who knows that Billy is innocent but finds himself unable to save him. Steuart Bedford, Britten’s close collaborator during the last years of the composer’s life, is on the podium.
0.0Production from Antwerp. The knight Titurel has built a fortress for two sacred objects he has miraculously obtained: thechalice from the Last Supper in which Christ's blood was later collected, and the spear thatwounded Christ on the cross. The chalice is believed to be the Holy Grail that gives life and has apurifying effect on the human race. The Grail has become the focus for a community of knightswho, strengthened by the holy chalice, are willing to fight for the faith. All the knights have takena vow of chastity. However, the Grail King Amfortas, their leader and Titurel’s son, fails to resistseduction by Kundry, a woman with a double life: she is both a Grail messenger and temptressin the service of Klingsor.
It's a Bird-Day Bash in the jungle and your favorite Jungle Book characters want to share the fun with you! Help Mowgli, Darzee and Cheel save the day and celebrate with Mowgli as he officially becomes a real wolf!
8.2In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
6.5Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.
4.8Thomas lights up the tracks in a magical Christmas collection! Watch as your favourite engines prepare for a festive celebration. Charlie discovers how much fun snow can be whilst Percy gets covered in so much snow that Thomas cannot find him! Salty doesn't have time for presents and parties until Edward finds him the perfect gift, and the engines compete to find the perfect Christmas tree! It is the season for Christmas magic with Thomas & Friends.
7.2The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.
6.0An idealistic former soldier helps unite and house ethnic minorities in a run down area of London's east end
7.7Part one of On the Trail of Bigfoot. Journey back through the history of one of America's last great mysteries in this new documentary from Small Town Monsters (The Mothman of Point Pleasant, The Bray Road Beast) and director, Seth Breedlove. Join researchers, investigators and historians as they uncover the story behind centuries-old mystery; the creature known as Bigfoot.
4.0In December 1948, an unofficial truce between the Democratic Army and the National Army enables the soldiers to share a human, touching moment before returning to the barbarous reality of the eternally divided Greeks.
5.8When his younger friends go up for adoption, threatening their extended family, an orphaned teen helps them discourage potential parents.
5.5Dr. Fabian is the good soul at the University Surgical Clinic. Nicknamed "Paulchen" by his famous boss, Professor Spalke, the demigod in white brings joy to the lives of his patients with his cheerful disposition and is also tireless in his support and advice for his students. It's no wonder that women would love to get their hands on this dream man. But Dr. Fabian remains steadfast - until he meets the attractive anaesthetist Inge.
5.5Ivan Petrov has one weakness in his life, and one love: his little black-eyed daughter, Tania. In fact, his entire career is devoted to her future happiness, though Tania remains ignorant as to his vocation. Done with cool deliberation, Petrov's all-consuming fear is that one day his lovely daughter will discover his true profession, and despise him for it...
6.0An Argentinean family living in Spain has their lives rocked when a famous author from their home country claims that their daughter is actually his granddaughter who was lost during a war.
9.0Alexander and her friend Diosa start working in a furniture store, Alexander suspects that the owner is involved in a murky business.
3.3A bizarre don't-even-try-to-make-sense-of-it bombardment of sexual imagery that plays like stream of consciousness from a degenerate: threesomes, foursomes, lesbians, bondage, hair-whipping (!) and, believe it or not, even kung-fu. Avant-garde masterpiece or pure gutter trash? Perhaps both.
5.3The story of an abandoned Hindu child who is found and raised by a Muslim man.
7.0Following the Revolution of April 25, 1974, the walls of the city of Lisbon became a means of celebrating and transmitting revolutionary ideals and slogans. The text by painter António Domingues praises this plastic work initiated by the Plastic Artists Cell of the Portuguese Communist Party.