The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or car. Communication is delayed, fragmented, interrupted. Memories of a distant country.
The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or car. Communication is delayed, fragmented, interrupted. Memories of a distant country.
2017-09-29
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The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
The encounter of three movies, three territories. A personal story that portrays, through experiments revealed by images and extracts from a diary, lived meetings and inhabited places filled by forces of nature, colors, incidents and struggles.
Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.
This Traveltalk series short visits The Grand Canyon and Bryce Canyon.
This Traveltalk series short begins with a look at Arizona's Painted Desert. We then get two views of the Grand Canyon's majesty. The first is from the rim, looking down from an automobile. The second view is from within the canyon, where mules take tourists along the various trails.
This Traveltalk series short celebrates the beauty of Yosemite National Park. Besides the majestic mountains, we see Bridal Veil Falls and a giant sequoia with a road cut through its trunk. Tourist activities, including horseback riding and fishing, are also highlighted.
A 40-day, 40-night road trip to the Trinity Site—where the first atomic bomb was detonated in the summer of 1945—covering many other atomic destinations and driving deep into the natural and social history of the American southwest.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).
A trip behind and beneath the street-level skin of the city on the hidden paths of industrial history and once-and-future transit.
A portrait of Eric Lyons and Span, under the scrutiny of Ian Nairn, as well as the residents of their estates.
A walk through England’s south coast evokes the artists who lived and worked there.
Documentary detailing a farmer’s visit to the market in Rawalpindi.
Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.
An astonishing English tourist’s view of street life in pre-partition Srinagar and Kashmir.
Amateur film of fishing and geese-shooting trips by a British party in India.
Life in the bustling Punjabi city of Rawalpindi before partition.