Germanics Against Pharaonics(1939)

Plastic Him(en)

A self portrait filmed with a modified PXL 2000 Camcorder. The camcorder itself records on to audio cassette tape. The tapes themselves are recycled which means I have recorded over them several causing them to slowly degrade.

the backroads(en)

A reflection on the beauty of the roads less traveled.

Salmon(xx)

Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.

Maalbeek(fr)

Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what allows her to move on with her life?

Dear Chantal(es)

Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.

Who Loves the Sun(ar)

In war-torn northern Syria, WHO LOVES THE SUN delves into the world of makeshift oil refineries and the stark realities of life within this post-apocalyptic landscape. Mahmood is a prominent figure in these operations, navigating harsh working conditions and complex local dynamics.

Without Me(de)

An aspiring documentary filmmaker named Simon Rosenthal tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish man in today's Germany, his fears for the future prompt him to move to the moon.

Bronx, New York, November 2019(en)

Cal State Long Beach, CA, January 2020(en)

A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.

America the Beautiful(en)

A tour of the United States. A Circarama (360 degree) film which originally opened at the Brussels World’s Fair in 1958 and was brought to Disneyland in 1960.

Kurt Vonnegut, Jr.: A Self-Portrait(en)

Kurt Vonnegut, Jr., discusses his development as a writer, including references to some of his major novels, his themes and their meaning, his relationship to other writers, problems in sustaining his special vision of American life, and his future. Accompanied by photographs that chronicle the author’s life and selections from home movies taken during his youth.

The Faces of Aids(en)

These film clips tell the story of the human experience of living with HIV/AIDS. People with HIV/AIDS, their husbands and wives, their families, their doctors and health workers talk about how HIV/AIDS has affected their lives. These are the personal video stories from Cameroon and Zimbabwe in which people speak out about their hopes and fears, their struggle against pain and abandonment and their fight for greater awareness and understanding. The film challenges stereotypes and calls for a concerted effort to face up to the epidemic.

Showing Melbourne to Maningrida(en)

In 1973, fresh from his performance in Walkabout, a film that brought outback landscapes to urban audiences, Gulpilil returned the favour by paying a visit to Melbourne with camera in hand, shooting a wry fly-on-the-wall documentary that compares the sights and sounds of the city to those of his home in Arnhem Land.

Endangered(en)

Are eligible Indigenous bachelors an endangered demographic in the 21st century? That’s the question cheekily posed by Tracey Rigney’s debut documentary short, which invites First Nations individuals to confide what they desire, what holds them back, and their hopes and worries about whether they’ll ever find The One. Endangered first screened at the Melbourne International Film Festival in 2005.

Black Fire(en)

Long thought to be the first film ever made by an Indigenous filmmaker, Black Fire examines the situation of First Nations people in the early 1970s through politically charged discussions, comical vox pops, and interviews with luminaries of the time such as Pastor Doug Nicholls and Aboriginal Tent Embassy co-founder Bertie Williams.

si me pierdo en un día nublado(es)

Bellingham’s Belief(en)

1954 - Panic erupts when the citizens of Bellingham, Washington notice strange cracks in their car windshields. What is causing this mysterious phenomenon?

The Artist and the City(pt)

The painter António Cruz wanders around the city of Porto painting what he sees: old and modern buildings, people arriving and leaving work in the factories, children playing. The impressionist realism of Cruz’s drawings dissolves into Oliveira’s vision of Porto, which at the same time portrays the painter and his work.

Pontormo and Punks at Santa Croce(en)

Metro(es)

An experimental and sensory portrait of the Mexico City Metro System through the job of a subway driver and the spaces she journeys.