A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
Self
A showcase of German chancellor and Nazi Party leader Adolf Hitler at the 1934 Nuremberg Rally.
1935-03-28
6.9
On October 1, 2013, the elusive street artist Banksy launched a month-long residency in New York, an art show he called Better Out Than In. As one new work of art was presented each day in a secret location, a group of fans, called “Banksy Hunters,” took to the streets and blew up social media.
In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Jim Gordon commands a unit of the famed Flying Tigers, the American Volunteer Group which fought the Japanese in China before America's entry into World War II. Gordon must send his outnumbered band of fighter pilots out against overwhelming odds while juggling the disparate personalities and problems of his fellow flyers.
This animated fairy tale for kids tells the classic story of a dapper, automobile loving fellow named Mr. Toad, whose passion becomes a problem when he's framed for stealing cars by a band of rogue weasels.
A kind-hearted young man is thrown out of his corrupt home town of West Rome, Oklahoma. He falls asleep and dreams that he is back in the days of olden Rome, where he gets mixed up with court intrigue and a murder plot against the Emperor.
Gogi is about to test his flying machine, so everyone better take cover!
A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.
In this film, the wife of a renowned doctor becomes ill with multiple sclerosis. Trying to spare her beloved husband the ordeal, the woman turns to a family friend, Dr. Lang, to help end her life. When this doctor declines to help with the assisted suicide, however, she is forced to turn to her husband. After much soul-searching, Dr. Heyt, her husband, assists in her suicide. The act, however, is witnessed by a chambermaid, who reports him to the police. Dr. Heyt is put on trial for murder and, at first, Dr. Lang testifies against him in court. Soon, however, Dr. Lang is faced with a similar case in his professional practice and this, along with Dr. Heyt’s impassioned performance in court, convinces Dr. Lang that, in some instances, mercy killing may be the right thing to do.
The fourth of Frank Capra's Why We Fight series of seven propaganda films, which made the case for fighting and winning the Second World War. It was released in 1943 and concentrated on the German bombardment of the United Kingdom in anticipation of Operation Sea Lion, the planned German invasion.
Facing mounting odds, a small but determined band of American soldiers venture into dangerous enemy territory on a mission to stop an advancing German unit from breaking through the Allied line.
Newlyweds Parker and Madeline move into their dream home. As they settle in, they discover a box of old love letters written to the original owner. And as the couple digs into the increasingly obsessive correspondence, a mysterious woman arrives with a horrifying secret that threatens their lives.
Hong Kong's three notorious thieves who have never met one another before appear in the same restaurant. This leads to a rumour that they are joining forces to pull off something big before the Handover, though this is not something that any of them.
In rural Sicily, the fishermen live at the mercy of the greedy wholesalers. One family risks everything to buy their own boat and operate independently.
Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.
An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
High school seniors and best friends, Sonny and Duane, live in a dying Texas town. The handsome Duane is dating a local beauty, while Sonny is having an affair with the coach's wife. As graduation nears and both boys contemplate their futures, Duane eyes the army and Sonny takes over a local business. Each struggles to figure out if he can escape this dead-end town and build a better life somewhere else.
A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.
One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.
While working at Uruguay's largest prison construction site, Miguel is leading a double life. When he realizes that he has become a prisoner of his own lies, Miguel struggles to find the courage to disclose the truth to his loved ones.
After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)
Set in the heights of the Bolivian Andes, Mamachas del Ring is the story of Carmen Rosa the Champion, an indigenous woman who struggles to make it on her own in the male-dominated world of Bolivian professional wrestling.
Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.
Like many Palestinian families, the Amers live surrounded by the infamous West Bank Wall where their daily lives are dominated by electrified fences, locks and a constant swarm of armed soldiers. Through director Carolina Rivas' sensitive lens, we discover the private world of all eight members of the family. As their dramas unfold, we catch a glimpse of their constant struggles and the small, endearing details that sustain them, including olive trees, two small donkeys and their many friendships. Constructed with a combination of verité scenes and re-enactments, this poignant and richly crafted film offers its audience a much needed opportunity to reflect on the effects of racial segregation, the meaning of borders and the absurdity of war
Monsanto is the world leader in genetically modified organisms (GMOs), as well as one of the most controversial corporations in industrial history. This century-old empire has created some of the most toxic products ever sold, including polychlorinated biphenyls (PCBs) and the herbicide Agent Orange. Based on a painstaking investigation, The World According to Monsanto puts together the pieces of the company’s history, calling on hitherto unpublished documents and numerous first-hand accounts.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)
The first image is in black and white, upside down and projected into a black box that then becomes the frame. It now hovers like a time capsule near a man’s face. He looks down, listening in on a female guerrilla fighter and translating her words from Fulani. Within the capsule, money is counted and paid out as a new currency, the numbers of the years run backwards in the black box. A 16-mm film glides through the man's hands and is transferred to a laptop screen frame by frame.
You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.
Harry Schein was an anomaly in Swedish cultural society. Equal parts playboy, intellectual, and political visionary, his life story could very well be the foundation of a Hollywood film. Citizen Schein is a film about a refugee who refused to look back, a film about powerful men, and the myths that fuel them.
The everyday life of a Belo Horizonte lower class neighborhood.
This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.
A day in the life of Mozambican women refugees working in a quarry outside Dar es Salaam.
This is the planet we still know so little. We call it Earth but less than 1/3 is land, over 2/3 is water and we use that water as a dumping site for our waste and as if it's an inexhaustible "horn of plenty" for humans. Our most important ecosystem is on the verge of collapse unless we act now. At this very moment the main problem with the oceans is that they're getting emptier and emptier. If we don't do anything then we face one of the biggest disasters in history of mankind.
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
Adela Peeva explores the national origin of a song common amongst a set of countries, and finds that the answer is not as simple as one might think.
In the minutes that it takes for a day to lose itself to darkness, we see a house that has suddenly become empty. It is the home of Maria, who has recently passed, and who has left her mark in every corner of every room. A portrait of absence is also an attempt to resurrect the dead, perhaps even a moment of magical thinking. The winter outside is well settled, snow accompanies each thought. Based on a poem by Zofia Bohdanowiczowa.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.