Workers Leaving the Lumière Factory(1895)

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Sprinkler Sprinkled(fr)

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

Baby's Meal(fr)

A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.

Piggy(es)

Sara is an overweight teen who lives in the shadow of a clique of cool girls holidaying in her village. Not even her childhood friend, Claudia, defends her when she's bullied at the local pool in front of an unknown man. Her clothes are stolen and Sara must get home wearing nothing but her bikini.

Man Walking Around a Corner(xx)

The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

Snowball Fight(fr)

Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.

Playing Cards(fr)

Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.

The Docks of New York(en)

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

A Nightmare(fr)

A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.

Sack Race(fr)

Shot in 1896, this playful actuality captures workers from the Lumière factory in Lyon competing in a sack race. The scene shows the participants’ comic struggles and falls, with onlookers enjoying the lighthearted contest. Beyond its humor, the film offers a glimpse of everyday leisure and camaraderie among the Lumière workforce during cinema’s earliest years.

The Photographical Congress Arrives in Lyon(fr)

Down the gangway, photographers leave the deck of a riverboat in large numbers.

The X-Ray Fiend(en)

A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

La lupa(it)

She was tall, dark and thin, with a proud and voluptuous bust. They called her "The she-wolf" because she seemed never to be satisfied. All the men were obsessed with her but one day the she-wolf fell madly in love with young Nanni.

Horse Trick Riders(en)

In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

Transformation by Hats(fr)

Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.

Malice in Wonderland(en)

A jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll's "Alice in Wonderland." The caterpillar and the queen make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice asks, "Who has had such a curious dream?"

Line 9(es)

In a city with constant movement like the subway rides, the paths of Andrés and Miguel are crossing. It seems like the beginning of a new Romance but Andrés doesn't know which direction to take.

Gentleman's Agreement(en)

A magazine writer poses as a Jew to expose anti-Semitism.

Zygote(en)

The two remaining crew members of a mining operation in the Arctic Circle fight to survive against an alien creature.

Zeitgeist: Addendum(en)

Zeitgeist: Addendum premiered at the 5th Annual Artivist Film Festival. Director Peter Joseph stated: "The failure of our world to resolve the issues of war, poverty, and corruption, rests within a gross ignorance about what guides human behavior to begin with. It address the true source of the instability in our society, while offering the only fundamental, long-term solution."

The Noise of Time(es)

In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.

The Devils(en)

Father Urbain Grandier’s unorthodox views of sex and religion make him a polarizing figure in 17th-century France. His outspokenness has amassed a passionate following of nuns and a respected reputation for protecting the city of Loudon from corruption. Grandier’s influence is then undermined following a sexually repressed nun’s accusation of witchcraft.

Into the Clouds We Gaze(cs)

A gentle love story from the harsh environment of northern Bohemia.

Geniale Frauen - Malerinnen von der Renaissance bis zum Klassizismus(de)

Gjama(sq)

“Gjama” is a rarely practiced mourning ritual that was performed by Albanian men throughout the centuries. By shouting specific phrases and acting out a strict choreography, it is a way of paying respect to the deceased but also overcoming grief and pain over the loss of a loved one. Through the documentation of the re-enactment of the ritual, Zgjim Elshani seeks to recover fragments of the practice in the communities where this form of collective grieving is still a way of overcoming loss. By doing so, the project intends to rethink collective grieving and what it means to publicly display emotions in a male-headed society.

The Hollywood Gad-About(en)

A parade highlights the Screen Actors Guild's Film Stars Frolic, hosted by Walter Winchell as Master of Ceremonies.

Joanna(pl)

Joanna is famous because of her blog on confronting a terminal disease. The movie shows her everyday life.

Men Boxing(xx)

Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.

A Prayer for Beslan(en)

Beslan will forever be synonymous with the murder of hundreds of innocent children. One year on, how is the town coping? Our documentary this week is a harrowing and powerful new film on the school siege and its enduring legacy.

Behind The Jugular(en)

Behind The Jugular is a short animated documentary, featuring an ex-abattoir worker describing his experiences within the slaughterhouse. The film gives a raw account of the restricted and often ignored industry, intended to prompt the audience to consider, and reconsider, their ethical beliefs and values, and how they implement these morals in life.

Overwork(de)

The found-footage short film OVERWORK offers a personal reinterpretation of a collection of instructional 16mm films from the German Employment Agency.

Avenida(es)

A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with lots of owners, but so empty that no one wants to enter.

Red & Blue Make Purple(en)

A Local Reno Artist and DJ discusses the many inspirations behind her work and how it impacts herself and others.

Sea Pilgrim(en)

A meditative film on Brazilian sailor Tassio Azambuja.

Death and the Devil(de)

Ethnologist and adventurer, Count Eric von Rosen was a man of contradictions: interested in the natives of Africa and colonial racism. Nestler embarks on a journey in search of his grandfather.

Der Frühling erobert Berlin(de)

Der Führer(de)

Propaganda short about the "Führer" Adolf Hitler

Afrique 50(fr)

The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.

Yo soy una niña(es)

This short film brings light to the reality of transsexuality during childhood and aims to emphasize the importance of the role of grandparents.

Cree Code Talker(en)

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.