A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.
A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.
1975-05-02
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A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)
Günter Walcher, 40-years-old, is a hardworking, apolitical West German businessman caught in a moral conflict. He is offered a promotion to become the head of a division—on the condition that he find a reason to fire Zacharias, a communist and the work council chairman.
In the heady days of the 1968 Prague Spring, a group of Czechoslovak Radio journalists risk not just their careers but their lives to distribute independent news amidst national and regional tumult. Orphaned brothers Tomáš and Pája are caught in the struggle for freedom. The elder, Tomáš, is a radio technician working at the station committed to defying the Communist Party’s censorship, overwhelming propaganda, and police harassment. When security forces pressure him to spy for them, Tomáš finds himself in a bind where he has to choose between betraying his colleagues or protecting Pája.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
The unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941.
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
Wrestling with Manhood is the first educational program to pay attention to the enormous popularity of professional wrestling among male youth, addressing its relationship to real-life violence and probing the social values that sustain it as a powerful cultural force. Richly illustrating their analysis with numerous examples, Sut Jhally and Jackson Katz - the award-winning creators of the videos Dreamworlds and Tough Guise, respectively - offer a new way to think about the enduring problems of men's violence against women and bullying in our schools.
Inspired by the woman who edited "Man with a Movie Camera" (1929), "Woman with an Editing Bench" reveals the personal impact of Stalin’s censorship of cinema on a woman navigating politics, bureaucracy and the impetuous outbursts of collaborators to create something beautiful despite the odds.
In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
Moscow, 1930s. A prominent writer's works are suddenly censored by the Soviet state and the premiere of his theatrical play about Pontius Pilate is canceled. He's kicked out of the Soviet Writer's Union, and quickly turns into an outcast with no means to survive. Inspired by Margarita - his lover, he begins working on a new novel in which all the characters are satirically reinterpreted from his life. The novel's central character is Woland - a mystical dark force who visits Moscow to revenge all those who caused the writer's downfall. As the Master sinks himself deeper and deeper into his novel, adding himself and Margarita as characters, he gradually stops noticing as the border between reality and his imagination fades away.
In 2001, Jimmy Wales published the first article on Wikipedia, a collaborative effort that began with a promise: to democratize the spreading of knowledge, monopolized by the elites for centuries. But is Wikipedia really a utopia come true?
When does art become obscenity? Cover Your Ears takes a close look at this question through the lens of the past 100 years of music and the ever-evolving discussion of legal and moral lines in the industry
Germany is in uproar; the new government has adopted a law which enables a government-controlled censorship. Media and cultural facilities are being inspected. The theatre house of Jan Reeberger is one of the inspected institutions. During the inspection two different world views collide, on the one side, there’s Jan with his idealistic and cosmopolitan worldview, on the other side, there’s Micky who is standing up for the new political system.
The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…