'Project Censored: The Movie' explores media censorship in our society by exposing important stories that corporate media fails to report/under report. Using the media watchdog group, Project Censored, as their road map, two fathers from California decided to make a documentary film that will help to end the reign of Junk Food News that Corporate Media continues to feed the American people.
'Project Censored: The Movie' explores media censorship in our society by exposing important stories that corporate media fails to report/under report. Using the media watchdog group, Project Censored, as their road map, two fathers from California decided to make a documentary film that will help to end the reign of Junk Food News that Corporate Media continues to feed the American people.
2013-04-12
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Ending the Reign of Junk Food News
A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Günter Walcher, 40-years-old, is a hardworking, apolitical West German businessman caught in a moral conflict. He is offered a promotion to become the head of a division—on the condition that he find a reason to fire Zacharias, a communist and the work council chairman.
How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.
In the United States of America, lobbyists, corporations and billionaires invest millions of dollars to ensure that a suitable candidate, one inclined to support their personal ambitions and economic projects, wins an election, which inevitably affects everything, from the selection of local officials to presidential elections, creates countless conflicts of interest and undermines what supposedly used to be a model democracy.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.
The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.
Tobacco, climate change, pesticides,... Never has scientific knowledge seemed so vast, detailed and shared. And yet it appears to be increasingly challenged. It is no longer surprising to see private corporations put strategies in place to confuse the public debate and paralyze political decision-making. Overwhelmed by excess of information, how can we, as citizens, sort out fact from fiction? One by one, this film dismantles the workings of this clever manoeuvre that aims to turn science against itself. Thanks to declassified archives, graphic animations and testimonies from experts, lobbyists and politicians, this investigation plunges us into the science of doubt. Along with a team of experts (philosophers, economists, cognitive scientists, political men, or even agnotologists), we explore concrete examples of doubt making and try to understand the whole process and the issues behind it.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
When does art become obscenity? Cover Your Ears takes a close look at this question through the lens of the past 100 years of music and the ever-evolving discussion of legal and moral lines in the industry
Eight years in the making, The Joe Show is a shocking and wildly entertaining documentary about America’s most controversial Sheriff, Joe Arpaio, and his ringmaster’s approach to modern media, politics and law enforcement. Joe's desire for fame changes democracy forever and the voters cheer as ratings soar. The Joe Show explores how Joe uses media and his role as Sheriff to make himself the most famous law enforcement officer in the world. Racism, sex crimes, illegal immigration, first amendment rights, deaths at the hands of his employees – even Obama’s birth certificate – are all issues Joe faces and spins. Featuring Larry King, Steven Seagal, Hugh Downs, Ted Nugent, Dan Ariely and Noam Chomsky A movie that will engage and enlighten both Joe’s detractors and supporters, the Joe Show takes a hard yet balanced look at how democracy can survive when persuading voters becomes more important than protecting them.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
Investigates the central ideas of Marshall McLuhan using pictorial techniques and including his own comments. Examines the reaction of others to his views and points out that his interest is the impact of electronic technology on the contemporary world.
When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.