Jayuk(1998)

Alice in Label Land(en)

Lewis Carroll's 'Alice' stories are used to explain certain sections of the Labelling of Food Regulations 1970.

A Europa é um Jardim(pt)

The Case Against the 20% Federal Admissions Tax on Motion Picture Theatres(en)

At the time this film was made, motion picture theaters were required to pay a 20% tax on gross ticket sales, and Congress was debating lowering this tax (as well as others) in a bill being considered by a Congressional committee. This film, which was made especially to be shown to members of the committee, sets forth the motion picture industry's case for reducing, if not eliminating, the tax.

Ashes(el)

Locked In(en)

As a young girl Victoria Arlen truly had the world ahead of her. But at the age of 11, she began to suffer from an illness that baffled her doctors and kept Victoria locked in her own body.

The Other Side(en)

When 18 children – nine from Palestine and nine from Israel – come together to form a kids soccer team, they come face-to-face with the other side for the first time in their lives. United by the common goals of teamwork and dedication to a shared purpose, they confront generations of fear head on. Is peace through sports really possible, or is it hopelessly naive to think that a handful of 12-year-old soccer players can begin to change their world?

Borneo in de jungle van de Sarawak(nl)

Short documentary.

Dawn of hope(am)

Film about the Ethiopian famine of I984/85 and the measures taken to combat it

Ecos Desde el Azulado Prado(es)

Qu'est-ce que c'est?(nl)

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

Cityscape(xx)

From La Région Centrale (1971), Snow orchestrates new patterns of movement that exchanges the focus on landscape with the cityscape of Toronto.

POSSESSED(en)

POSSESSED enters the complicated worlds of four hoarders; people whose lives are dominated by their relationship to possessions. The film questions whether hoarding is a symptom of mental illness or a revolt against the material recklessness of consumerism. When does collecting become hoarding and why do possessions exert such an influence on our lives?

Gli estremi non si toccano(it)

Documentary focused behind the scenes of the making of the play 'io' by Antonio Rezza and Flavia Mastrella

Naive Cinema(pt)

An essay film on the editing of erotic movies.

Death is dangerous, it could hurt(fr)

The three female protagonists present their personal relationship with intravenous drug use, and their intimate confessions are filled with fear and insecurity but also love for the state of intoxication. Ambient music in the background and colourful textures multiplying over shots of the everyday reality of drug users create an almost dreamlike world. “I won’t feel the full effects the whole night, but it will help take my mind off things.”

Daughters of Darkness: Locations of Darkness(en)

Director Harry Kümel and writer Pierre Drouot revisit the locations from their classic movie Daughters of Darkness.

We Must Have Music(en)

A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer

Which Is Scary(en)

A set of seven portraits consisting of personal accounts from the lives of gays and lesbians. The narration includes stories about coming out, bashing, cross-dressing and AIDS.

The Wages of Sin(en)

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

Something to Do with Death(en)

Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)