Weegee's New York(1948)

Ask Me, Don't Tell Me(en)

Short film documenting the San Francisco Youth for Service program.

Shake Hands with Danger(en)

This short cautionary training film examines dangers associated with earthmoving equipment operation, showing many simulated accidents on construction sites.

Cinéastes de notre temps : Erich von Stroheim(fr)

Cinéastes de notre temps : Jean Vigo(fr)

Filmmakers of Our Time: François Truffaut or the Critical Spirit(fr)

Ingmar Bergman: The Magic Lantern(en)

The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

How the Telephone Talks(en)

"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.

Materialista, idealista, cinematógrafo, magnetófono, buen chico y sádico(es)

En ningún lugar, Don Luis Buñuel(fr)

Denis Lavant reads long passages from Luis Buñuel's semi-autobiographical "My Last Sigh". From this text, without film excerpts, Laurence Garret travels in the footsteps of Buñuel, from Calanda to Zaragoza, Madrid to Toledo, Spain to Mexico.

Watching My Name Go By(en)

Watching My Name Go By is a 1976 BBC documentary on the birth of graffiti in New York City, and the fight to both prevent it, and expand it's artistic value. In 'Watching my name go by' kids in New York have a unique kind of occupation - sitting on the subway stations ' watching my name go by'. Eleven to 17-year olds compete to see how many times they can 'get their names up ' in a colorful way - a kind of graffiti cult game which has its own rules and regulations. It's illegal and dangerous-some New Yorkers think it's a kind of ' art others think it's disgusting.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Cut Piece(en)

Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.

With Love from Truman(en)

At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.

To the Fair!(en)

Promotional film extolling the wonders to be seen at the New York World's Fair.

Game Over?(en)

This documentary shows how one of the biggest youth theatres in Europe dealt with the COVID-19 pandemic.

Romances(az)

The film, based on the artistic-documentary aesthetics, is about the fate of three sons of the Javanshir dynasty, who are connected to Karabakh and this corner of Azerbaijan - Mahammad bey Ashiq, who lived in the 18th century, Abdussamad bey Ashiq, who lived in the 19th century, and Khosrov bey Javanshir, who lived in the 20th century. These three personalities, influential poets and public figures of their time, were subjected to persecution and repression during the Russian and Soviet empires.

Bums and Dogs(bs)

A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

Casa Conveniente(fr)

Mónica Calle is fighting with her theatre company to remain an actress, a woman, in a society where the place of art is constantly challenged. She draws this strength from Zona J, a district in the periphery of Lisbon, where she has set up her new place of creation, surrounded by former prisoners.

Lake(en)

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”