In a comparative study between different forms of calligraphy, the film traces parallels between modern Japanese painting and traditional Japanese writing.
Self
In a comparative study between different forms of calligraphy, the film traces parallels between modern Japanese painting and traditional Japanese writing.
1958-01-01
0
The many lives of Henry Azadehdel, aka Armen Victorian, aka Henry X, as told by the peace activists, UFO researchers, botanists and everyday people who encountered him - whoever he was.
Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).
"Her was shot as my contribution to a collective film of the Italian Film-makers' Cooperative, "Tutto, tutto nello stesso istante", which started out as a Dadaist protest against police brutality. I used a "Newsweek" cutting about the Chicago Convention riots, about a woman being beaten up, and isolated in every line a symbolic word, which returns in the second part with an extension of its original meaning. I remember showing it with an 8mm projector at the USIS Rome Library in winter 1970 as part of a concert of American music." Massimo Bacigalupo
Adapted from the multi-award winning BBC1 series, Planet Dinosaur 3D recreates the lost world of the dinosaurs in a groundbreaking stereoscopic production. This is one of the most ambitious animated programmes ever attempted for broadcast TV, recreating every detail of these extraordinary animals in an entirely digital production that stretches the boundaries of broadcast 3D with a scale and ambition normally reserved for Hollywood feature films. Planet Dinosaur 3D is a thrilling and immersive journey into a lost world. Pulling together cutting edge research from around the world this programme uses the latest, stunning fossil evidence to chart the rise and fall of the 'Ultimate Killers'; from the iconic Spinosaurus, the largest predator ever to walk the Earth, to Microraptor and the feathered, flying dinosaurs from China. At last, thanks to the advances in technology, and for the first time ever, these monsters can be experienced in all their full, magnificent wonder.
Two ten year-old boys are detained by police under suspicion of abducting and murdering a toddler.
A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.
A short documentary about the Ojibwe Native Americans of Northern Minnesota and the wild rice (Manoomin) they consider a sacred gift from the Creator. The film tells the Creation and Migration stories that are central to the tribe's oral history and belief system while showing the traditional process of hand-harvesting and parching the wild rice. Biotech companies are currently researching ways to genetically modify the rice and the community is fighting to keep it wild.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
Alain Resnais & Robert Hessen use the famous Picasso mural "Guernica" in combination with newspaper headlines in an anti-war cry against the Spanish Civil War. Narration by Jacques Pruvost highlights the Guernica atrocity of April 1937, followed by a poem by Paul Eluard read by María Casares to a discordant score by Guy Bernard.
Orson Welles talks fantasy and magic in this short Vienna travelogue.
Directors Werner Herzog and Errol Morris make a bet which results in Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven.
This documentary describes the unfortunate legacy of the lone house on the prairie, an example of a dwelling entirely unsuited for the harsh winter or summer. We meet some builders and homeowners experimenting with more energy-efficient designs, such as the dome, the underground house and a ranch with wind, solar energy and methane gas from animal waste.
A priceless gem from the fine folks at The Internet Archive: Bruce Lee’s only existing television interview, from 1971. Martial arts expert Bruce Lee became world-renowned for his performances in such Kung-fu classics as ENTER THE DRAGON. Now his only interview in English is available. Just after the release of his first film THE BIG BOSS, he spoke in Hong Kong with Canada's premier journalist Pierre Berton. This is the closest one can get to this extraordinary master.
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the second motion picture to be copyrighted in the United States.
Ron Rice's Chumlum is one of those films in which the conditions of its construction are integral to the experience of watching it. It is a record of a cadre of creative people having fun on camera, playing dress-up, dancing, flirting, lazing around.