A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
Self (archive footage)
Self (archive footage)
Reflections on my 1966 trip to Avignon that helped me to survive a deep crisis I was going through. Texts from my diaries of that period on the soundtrack are read by Angus MacLise.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Bad guys are poisoning drinking water, and there is only one man who can stop them, Jeff Fahey.
Harold a shy college student from the province who develops a close bond and a secret love for his friend AM, a rich city girl who is passionate about her dreams. Because of their contrasting personalities, Harold is disillusioned and AM is idealistic and complications in their personal lives, the two never get past the “more than friends but less than lovers” stage and eventually separate. Now reunited after five years, AM and Harold spend fleeting hours wandering around their old haunts and wondering about their old selves, making Harold’s next-day flight the biggest “what if” of their lives.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Pragmatic young woman plots out her flirtations with five rich, eligible bachelors to play to the weaknesses of each one. Then she has to pick one for keeps.
Volume 7 documented the year that the AND1 Mixtape Tour really took off. Every game was played in NBA arenas and the best local talent was found in the Open Runs. Volume 7 was the year that Grayson Boucher AKA The Professor was found in the Portland, Oregon Open Run. The Professor went through all the stops on the tour before being named the winner and newest member of the AND1 team. Former AND1 player Dennis Chism AKA Spyda and current player John Humphrey AKA Helicopter were the other two finalists along with The Professor. Tony Jones AKA Go Get It also had some highlights on this tape as he played on the opposing team and was eventually offered a spot on the team. Also a brief appearance from retired basketball player Shaquille O'Neal
An animated film that recounts the events surrounding the birth of Jesus Christ described in the New Testament.
This film tells the story of Camille and Antoine, two French highliners and alpinists. They dream to walk between two iconic rock towers of Aiguilles d’Arves. This story documents an amazing adventure that required help from a huge and dedicated team of people.
A postman walks through the desert, his life flows slowly as does the desert sand. He is the only link between the secluded villagers, however, this is about to change due to a small technological device.
One of the series gives successive pictures of an athlete in an unsuccessful attempt to turn a somersault. Everybody who has seen a boy perform this act knows the brief space of time it takes him to throw himself upon his hands, with his feet in the air and how quickly he recovers himself if he fails to go over. Yet it will be seen that the kinetograph photographed the athlete forty-four times between the beginning and the end of the act, aside from the numerous pictures taken when he was bending down to the ground and coming back to an erect position.
After a rock is thrown through a window, two families become intertwined in a dispute after an incident following an unsuccessful marriage. The couple in question try to hash out what actually went wrong, as the surrounding family members point fingers at one another. Tension builds as all of their other problems seem to bubble to the surface at the same time.
Danish noir crime drama with a poetic nerve. Two boys, Kristinus and Jakob (Rode and Neergaard) experienced a loveless and abusive childhood. Now as grown-ups, they are acting outside the law.
A personal documentary questioning the ways in which family imposed narratives force us into roles that we spend our lives either rebelling against or conforming to.
This short experimental diary film reveals my struggles with mental illness in my adolescence and queer adulthood while simultaneously reflecting upon my joyous childhood experiences. I investigate when and how my depression began and explain that my relationships with the people I love have supported me through my harder times. The film incorporates footage shot over May and June 2023 and archival home videos. Overall, I aim to resolve my "growing pains" through the medium of diary film and by reconnecting with my younger self.
A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
Filmmaker Jonas Mekas films 160 underground film people over four decades.
The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
A glimpse of life through movement and memory, negotiating a narrative through images and sounds both personal and found, private and public, recounting four years of the filmmaker's life, relocating from Iran to the US.
An epic portrait of the New York avant-garde art scene of the 60s.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
Maria Lang is my very close filmmaker friend who lives in the southern german countryside. We see her gardening and visiting an exhibition of female impressionist painters.
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
I wasn’t told. I wasn’t told it would be so difficult to live together. To keep a family together. To maintain love and happiness. I wasn’t told, and if someone had told me I wouldn’t have listened. I chose to live with my camera in my hand, filming the trajectory of feelings, from the golden age to the lost paradise, from being born to being reborn.
Reminiscences of a trip to Čáslav
A short documentary project that attempts to encapsulate what it looks and feels like to be an American Teenager in 2022.