
Made over six years in the hotels of six different countries, Hotel Diaries charts the 'War on Terror' era of Bush and Blair through a seven-part series of video recordings that relate personal experiences to the ongoing conflicts in Afghanistan, Iraq and Israel/Palestine. In these works, which play upon chance and coincidence, hotel rooms are employed as 'found' film sets, where architecture, furnishing and decoration become the means by which the filmmaker’s small adventures are linked to major world events.

Made over six years in the hotels of six different countries, Hotel Diaries charts the 'War on Terror' era of Bush and Blair through a seven-part series of video recordings that relate personal experiences to the ongoing conflicts in Afghanistan, Iraq and Israel/Palestine. In these works, which play upon chance and coincidence, hotel rooms are employed as 'found' film sets, where architecture, furnishing and decoration become the means by which the filmmaker’s small adventures are linked to major world events.
2007-10-20
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A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
6.3Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
0.0An intimate glimpse into 3 years of serene moments, compiling video, polaroids and other things that were lying around when editing.
2.0A Different point from the eyss of Yuval Shamshins's life, in the modern days of the Covid-19. The movie is built upon the small moments of life, full of Metaphors and Images in order to built a cinemathic perspective.
0.0Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.
0.0A filmed diary which chronicles two visits to the Olivas, a family of Spanish beekeepers from Salamanca, at the time of the honey harvest, in August and September. Their work and their itinerant life are seen from a friend's point of view.
An old man comes across a fascinating archive, then meets a woman who introduces him to the life of a banker, patron and philanthropist. A moving essay that is part documentary, part film diary.
6.8An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.
9.0An experimental coming-of-age odyssey through someone's troubled mind, going from country to country, landscape to landscape, growing up in the process. A documentary, travelogue, vlog, dream and self-portrait. A reflection on life, death and history.
0.0In Holcá, Yucatán, eight-year-old Nara roams her hometown with a camera in hand. Alternating between her vivid, spontaneous footage and the director’s attentive gaze, Nara y su cámara paints a portrait of Nara and her village.
0.0Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.
7.0Mike is a young film student who is tasked with creating a video diary for his Fiction Production class during his fifth semester of university. With only a cellphone in hand, he begins documenting his daily life, without imagining that he will capture important and emotional moments which will be remembered forever.
0.0Daily spleen, drunkenness among friends, conversations and the passage of time: the video diaries composed by Lionel Soukaz chronicle the early 1990s, the comet tail of those never-ending winter years and the nightmare of the AIDS years. But edited thirty years later with Stéphane Gérard, they are also a tribute to Hervé Couergou, the beloved partner at the center of all the filmed scenes. Slowly, in conversations between couples and friends, the dandy spirit and intimate confession overlap. What emerges is a portrait of a way of dealing with the times and their pain, which, beneath the act of commemoration, seeks to inscribe a living presence.
5.5On January 1st, 1999, Caveh Zahedi started a one-year video diary. The idea was to shoot one minute each day. This is the result.
0.0Spanning over 70 years, two women recount their experiences growing up in Colombia and immigrating to Canada. Intersecting with key moments in Colombian history, Vanishing Points is a polyphonic composition of mirrors, labyrinths, dreams, and nightmares that question the idea of perspective and the linearity of history and time.
0.0An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.
0.0The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
0.0I wasn’t told. I wasn’t told it would be so difficult to live together. To keep a family together. To maintain love and happiness. I wasn’t told, and if someone had told me I wouldn’t have listened. I chose to live with my camera in my hand, filming the trajectory of feelings, from the golden age to the lost paradise, from being born to being reborn.
7.4Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.