Stone and bag(2024)

Atlantis - Der geheime Code der Azteken(de)

Asante Market Women(en)

As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.

Hokusai Up Close: Paintings from the Freer Gallery of Art(en)

In 2018 Japan’s NHK television network was given unprecedented access to the Freer Gallery of Art’s collection of works by Katsushika Hokusai so they could film the details of paintings using a state-of-the-art 8K video camera. The resulting documentary is hosted by actor Iura Arata and features commentary from the James Ulak, former curator at the National Museum of Asian Art, and Tim Clark, former curator at the British Museum. The film’s intended premiere in April 2020 was canceled due to the pandemic. We are proud to finally screen it. Explore masterpieces at a never-before-seen level of detail and enjoy new insights into the artist’s genius.

Die Abenteuer der Menschen(de)

Baiae, the Atlantis of Rome(it)

With an area three times larger than Pompeii, Baia, about 15 km from Naples and within the volcanic area of the Phlegraean fields, is the largest underwater archaeological site in the world. In 100 BC Pompeii is an ordinary city of small traders crouched on the slopes of Mt. Vesuvius, while Baia gains a peculiar reputation: it gradually becomes the ancient Las Vegas or Monte Carlo of the Roman Empire, a real posh center for noble gens and the powerful . Nestled in the center of the Gulf of Pozzuoli, Baia is flanked on one side by the port of Puteoli (ancient Pozzuoli) and on the other by the port of Capo Miseno.

N/um Tchai: The Ceremonial Dance of the !Kung Bushmen(en)

Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.

N!owa T'ama: The Melon Tossing Game(en)

Women from three separate Ju/'hoan bands have gathered at a mangetti grove at !O to play an intense game in which under-tones of social and personal tensions become apparent.

The Golden Mummy(es)

In 2016, four mummies of the National Archaeological Museum of Madrid left their showcases headed to a well-known hospital in the capital of Spain. The objective: to study them with the most advanced radiological technology in the world. However, no one could imagine that, under the bandages of the so-called Golden Mummy, there would be a secret with more than two thousand years old. A hieroglyphic enigma that hid the identity of one of the best preserved Egyptian mummies in the world.

Ancient Armageddon(en)

This explores the mysterious and catastrophic collapse of ancient civilizations during the late Bronze Age, from the Hittites to the Mycenaeans and the Egyptians, revealing the tumultuous events that brought an end to a thriving era of human history, and warns we may be facing similar threats today.

Que cachent les pyramides d'Égypte ?(fr)

Ongka's Big Moka(en)

The film follows Ongka's struggles to accumulate huge numbers of pigs and other items of value to present at a Moka ceremony to another tribe.

The Waterfowl People(et)

A documentary about the histoy and linguistic ties of the Finno-Ugric, and Samoyedic peoples. Speakers of the Kamassian, Nenets, Khanty, Komi, Mari, and Karelian languages were filmed in their everyday settings in the late 1960s and early 1970s. The footage was shot in Altai Krai, the Nenets Okrug, Khantia-Mansia, Uzbekistan, the Komi Republic, Mari el, Karelia, and Estonia. The first documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum (1970 - 1997)" series.

The Winds of the Milky Way(et)

Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

The Sounds of Kaleva(et)

A three-act film-essay about memory and the historical-cultural ties of the Finno- Ugric peoples. The first chapter is dedicated to ancient Bearese of memory, such as Karelian cliff drawings, Kalevala runo song and Khanty bear feast rituals. the second act portrays the visit of Elias Lonnrot, compiler of the Finnish national epic Kalevala, to Estonia and his meetings with local intellectuals. Part three re-enacts an ancient smelting and blacksmith ritual set to Veljo Tormis' cantata 'curse upon iron'. Filmed in 1985 in Uhtuo, Karelia; in Khantia-Mansia at the Agan river, a tributary of the Ob; and in Estonia (Tallinn, Kuusalu, Tartu, Voru, Litsmetsa in Voru county, Lullemae, Karula, Rongu, Narva, and at a bend of the Pirita river). The third documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

Son of Torum(et)

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

The Shaman(et)

"Shaman" was filmed on July the 16th, 1977 in the northernmost corner of Eurasia, on the Taymyr Peninsula, at the Avam river, concurrently with the shooting of the documentary "The Winds of the Milky Way". The Nganasan Shaman Demnime (1913-1980) was 64 years old at the time. The documentary about Demnime's incarnation ritual was completed 20 years later. The fifth and final documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Uricarum" series.

Richard III: The Unseen Story(en)

In this special follow-up programme, the only television team with access to the dig and the scientific tests on the skeleton uses unseen footage and conducts two days of additional interviews to tell this extraordinary forensic detective story in even greater scientific and archaeological detail.

What Remains - An Obituary on Wilhelmine and Bernard(de)

The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.

Dinosaurs: The Final Day with David Attenborough(en)

David Attenborough brings to life, in unprecedented detail, the last days of the dinosaurs. Palaeontologist Robert DePalma has made an incredible discovery in a prehistoric graveyard: fossilised creatures, astonishingly well preserved, that could help change our understanding of the last days of the dinosaurs. Evidence from his site records the day when an asteroid bigger than Mount Everest devastated our planet and caused the extinction of the dinosaurs. Based on brand new evidence, witness the catastrophic events of that day play out minute by minute.

Far from the Trees(es)

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.