In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
Emerging from the Detroit music scene of the 1970s in a flurry of long hair and sequins, Alice Cooper restored hard rock with a sense of showmanship, while simultaneously striking fear into the hearts of Middle America with the chicken-slaughtering, dead-baby-eating theatrics that would cement his identity as a glam metal icon. Meticulously crafted from rare archival footage, Super Duper Alice Cooper tells the story of the man behind the makeup, Vincent Furnier, the son of a preacher, who got caught in the grip of his own monster.
Heavy Metal Parking Lot documents heavy metal music fans tailgating in the parking lot outside the Capital Centre (since demolished) in Landover, Maryland, on May 31, 1986, before a Judas Priest concert (with opening act Dokken).
Estranged by the degree of corporate influence within the largest U.S. listening station in the world, an aging NSA officer defects and mounts a clandestine counter-listening station high in the Italian alps.
Get Thrashed traces the rise, fall and impact of thrash metal; from its early years, through its influence on grunge, nu metal and today's heavy metal scene. It is the story of the heaviest, hardest music of the 80s and early 90s as told by the bands who lived it, the fans and bands that grew up on it and by the artists that carry the "thrash metal" flag today.
The legendary rock trio of Ginger Baker, Jack Bruce, and Eric Clapton--two jazz musicians and a blues guitarist--was one of the most influential bands of the 1960s, even though they played together for less than three years. They brought their psychedelic fusion of blues and pop into the mainstream with albums like FRESH CREAM and WHEELS OF FIRE; Clapton, long regarded as one of the greatest guitarists of all time, did some of his best work on those albums. London's Royal Albert Hall, the site of what was supposed to be Cream's final performance back in 1968, was also the venue for their reunion show. Sounding as if they'd been on vacation for a few weeks instead of disbanded for well over three decades, Cream brought the house down with a series of four shows, all of which are excerpted here. The band performs classics like "Spoonful," "Born Under a Bad Sign," "Sunshine of Your Love," and "White Room," among more than 20 others.
Victor Frankenstein is a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It's not long before Frankenstein regrets his actions.
When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad decides it's time for a total change of scenery. But sweet niblets! Miley must trade in all the glitz and glamour of Hollywood for some ol' blue jeans on the family farm in Tennessee, and question if she can be both Miley Stewart and Hannah Montana.
Still reeling from a heartbreaking family event and his parents' subsequent divorce, Tyler Hawkins discovers a fresh lease on life when he meets Ally Craig, a gregarious beauty who witnessed her mother's death. But as the couple draws closer, the fallout from their separate tragedies jeopardizes their love.
John McClane is back and badder than ever, and this time he calls on the services of a young hacker in his bid to stop a ring of Internet terrorists intent on taking control of America's computer infrastructure.
The Dwarves, Bilbo and Gandalf have successfully escaped the Misty Mountains, and Bilbo has gained the One Ring. They all continue their journey to get their gold back from the Dragon, Smaug.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope.
When plans with her boyfriend fall through, high school senior Chris Parker ends up babysitting the Anderson kids, Brad and Sara. What should be a quiet night in, however, turns into a series of ridiculous exploits, starting when they leave the house to pick up Chris' friend Brenda. Soon, Brad's buddy Daryl is involved, and the group must contend with car thieves, blues musicians and much more.
It's Christmastime, and the Griswolds are preparing for a family seasonal celebration. But things never run smoothly for Clark, his wife Ellen, and their two kids. Clark's continual bad luck is worsened by his obnoxious family guests, but he manages to keep going, knowing that his Christmas bonus is due soon.
The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice's united mob.
Francis is a young gay man, Marie is a young straight woman and the two of them are best friends -- until the day the gorgeous Nicolas walks into a Montreal coffee shop. The two friends, instantly and equally infatuated, compete for Nicolas' indeterminate affections, a conflict that climaxes when the trio visit the vacation home of Nicolas' mother. The frothy comedy unfolds through narrative, fantasy sequences and confessional monologues.
A mysterious teenager named Ángelo cares for Klaus, a German doctor with a dark past who lives trapped in an iron lung.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
Live at Maracanã is the third live album by the Brazilian duo Sandy & Junior, released on December 20, 2002. It is also the first double album of the brothers: one of the versions was sold along with CD Internacional Extras. The show was directed by Paulo Silvestrini and featured twelve dancers, twelve musicians and two backing vocals. For the show that gave rise to the CD and DVD, the stage counts with 19m of mouth, 15m of depth and 11m of height. On the sides, were placed two screens of 6m x 5m.
"Sweet Osmanthus Flowering Late" is a feature-length ethnographic film that envisions social rejuvenation and collective convalescence in the aftermath of the pandemic. Filmed in Wuhan, the film follows the everyday lives of three middle-class households. It postulates the existence of a mass dreaming phenomenon that facilitated fatigued Chinese inhabitants to rejuvenate themselves following the secluded episode of lived experience and to coexist with the enduring imprints of "the event" on their social lives.
Concert film documenting the final show of Swedish grindcore legends Nasum.
Six actors portray six personas of music legend Bob Dylan in scenes depicting various stages of his life, chronicling his rise from unknown folksinger to international icon and revealing how Dylan constantly reinvented himself.
In 2017 Bill Drummond and Jimmy Cauty, formerly The KLF, returned after 23 years of silence with a new project. They were no longer a pop group but undertakers, building the People's Pyramid out of bricks made from the ashes of dead people.
Off-camera, a Western traveler tells us of hearing singing from his hotel window in Bombay. He searches for the source, and discovers a caste of street performers, eking out a modest living. We see individuals and groups, old and young, snake charmers and those hired to sing at family celebrations. A few talk about their lives and refute accusations of kidnapping lodged against the caste. A troupe of women sing at a party for a pregnant woman - they are saucy and blunt, encouraging and sisterly.
This short documentary, shot in July 1976 at the Mannes College of Music on Manhattan's Upper East Side, marks the first collaboration between Merchant Ivory Films and composer Richard Robbins, who would go on to provide the musical scores for nearly all Merchant Ivory films. Later in 1976, 'Sweet Sounds' was shown at the New York and London Film Festivals. It was also broadcast on PBS.
Filmed in Melbourne, Australia in 1984, this concert video is the only full length concert film of the band at this time. A stunning concert with the band in incendiary form, the setlist mixes then new tracks from the 'Perfect Strangers' album with favorites from the early seventies culminating in the brilliant 'Smoke On The Water' finale.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
The "Apocrypha The Black Mass" by BABYMETAL at Tsutaya O-East was a captivating performance that resonated deeply with their fanbase. This exclusive event, designed for members of the BABYMETAL Apocalypse fan club, featured a mysterious and dark thematic presentation, aligning with the "black mass" concept. The venue's close quarters created an intense, immersive atmosphere that amplified the energy of both the performers and the crowd. Showcasing a blend of their well-known tracks and deeper cuts, the concert highlighted the band's theatrical elements, powerful vocals from Su-metal, and the precise choreography with Moametal and Yuimetal, all backed by the formidable Kami Band. This show stood out as a unique and memorable experience in the expansive universe of BABYMETAL performances.
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.
Shot on location in rural Southwestern Louisiana, Zydeco combines cinema verite style footage, interviews and musical performance to present a colorful, joyful portrait of the zydeco musicians in their culture. Featuring Dolon Carriere, Armand Ardoin, and Alphonse "Bois Sec" Ardoin. A film by Nicholas R. Spitzer. Color, 57 minutes.
Documentary about the Dutch punkband 'De Klojos'. and it sucks bigtime
Portrait of the popular Dutch singer André Hazes.
An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.
The American indie rock band “Dinosaur Jr.” is a radical group with an unmistakeable sound. The film tells the story the three charismatic guys in the band: J. Mascis (vocals, guitar), Lou Barlow (bass) and Murph (drums).
Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.
Women from three separate Ju/'hoan bands have gathered at a mangetti grove at !O to play an intense game in which under-tones of social and personal tensions become apparent.
This is the tale of a voyage which began one morning with a Skype conversation between the musician Mikel Urdangarin and the artist Alain Urrutia. The painter will give Mikel one of his paintings as a gift, but on one condition: the musician will have to go and fetch it in London, by ferry, crossing the sea. Taking the journey as an excuse, we will enter the everyday life of an artist committed to living from his work until reaching the key hidden in the centre of every artist’s labyrinth, since all searches are in fact a voyage; the creation process in itself is a voyage.