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He Stands in a Desert Counting the Seconds of His Life
Top 10 Billed Cast
Self (archive footage)
Self (archive footage)
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La deuxième femme(fr)
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
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Video Album 5: The Thursday People(en)
The comings and goings of the late underground filmmaker, Curt McDowell—and the people and activities that came and went along with him—are the themes that run through this existential diary of daily life. McDowell was dying from AIDS-related illnesses during the production of the diary. “An elegy for McDowell, the videowork captures Kuchar’s mournful remembrances of his long-lasting friendship with the young filmmaker. But it also has the inquisitive charm, perverse humor, and quirky candor that places Kuchar’s visual expressions in a gritty niche all their own.”
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Birth of a Nation(en)
Filmmaker Jonas Mekas films 160 underground film people over four decades.
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Begins (โผบิน)(th)
The untold state of mind dealing with an incurable disease. One is wondering if there's still a dream to achieve in life. One is running as if this free spirit of mine has never been taken away.
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Eautopsie(en)
A glimpse of life through movement and memory, negotiating a narrative through images and sounds both personal and found, private and public, recounting four years of the filmmaker's life, relocating from Iran to the US.
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Voicemails For The Unknown Receiver(tl)
Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.
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Shotgun Baby(en)
A personal documentary questioning the ways in which family imposed narratives force us into roles that we spend our lives either rebelling against or conforming to.
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As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty(en)
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
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Lost, Lost, Lost(en)
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
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beer cans under my bed(en)
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
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Clear years(pt)
I wasn’t told. I wasn’t told it would be so difficult to live together. To keep a family together. To maintain love and happiness. I wasn’t told, and if someone had told me I wouldn’t have listened. I chose to live with my camera in my hand, filming the trajectory of feelings, from the golden age to the lost paradise, from being born to being reborn.
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Diaries, Notes, and Sketches(en)
An epic portrait of the New York avant-garde art scene of the 60s.
Day Tripper(fr)
A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.
Homeo(en)
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
Chromo sud(en)
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
Maria(en)
Maria Lang is my very close filmmaker friend who lives in the southern german countryside. We see her gardening and visiting an exhibition of female impressionist painters.
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this evening out of boredom washed my hands three times in succession in the bathroom(en)
Reminiscences of a trip to Čáslav
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Maybe Today(tl)
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Film(en)
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Estrategia matrimonio(es)
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Arves-En-Ciel(fr)
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来自沙漠的信(en)
A postman walks through the desert, his life flows slowly as does the desert sand. He is the only link between the secluded villagers, however, this is about to change due to a small technological device.
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One of the series gives successive pictures of an athlete in an unsuccessful attempt to turn a somersault. Everybody who has seen a boy perform this act knows the brief space of time it takes him to throw himself upon his hands, with his feet in the air and how quickly he recovers himself if he fails to go over. Yet it will be seen that the kinetograph photographed the athlete forty-four times between the beginning and the end of the act, aside from the numerous pictures taken when he was bending down to the ground and coming back to an erect position.
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I am Diego Maradona(fa)
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Kristinus Bergman(da)
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